Featured Events in New York in July 2024 (May Updated)

In the heart of New York City, the Richard Rodgers Theatre proudly presents the musical “Hamilton”. This highly anticipated event will captivate audiences from now on. Experience the captivating story of Hamilton, an extraordinary musical that delves into the life of a remarkable Founding Father. With an insatiable hunger for success and a relentless ambition, Hamilton defies all odds to leave an indelible mark on the new nation. From his humble beginnings as an orphan to becoming George Washington's trusted right-hand man, Hamilton's journey takes him from rebel to war hero. Amidst his rise to power, he becomes entangled in the first-ever sex scandal of the country, all while serving as the head of the Treasury and instilling faith in the American economy. Immerse yourself in the rich history and captivating storytelling of this critically acclaimed musical. Don’t miss the opportunity to witness this extraordinary musical “Hamilton” live on stage at the Richard Rodgers Theatre in New York City. Get your tickets now on Trip.com for an unforgettable journey into the world of Hamilton.

DIMENSIONS OF SOUND - MUSICAL JOURNEY THROUGH SPACE AND TIME “The ear lies nearest to the human soul.” (Johann Gottfried Herder, „Kritische Wälder”, 1769 ) The House of Music, Hungary is a tree of life in the heart of Városliget, with a trunk, and a crown of golden leaves on slender branches. We are standing here by its roots, which provide the institution with its spiritual sustenance. The roots are entwined, like a labyrinth, and we walk among them. Our journey begins far back in time and space, back at the birth of music itself where we can grasp the roots of Hungarian folk music and European music. Progressing through the centuries, we will follow the development of music, discovering what a series of organised tones has meant to mankind, with the emphasis on Hungarians in the light—or sometimes the shadow—of Europe. Through the language of music, the exhibition speaks for itself: Everywhere we go, we hear music playing; the subject of the exhibition is music itself. Quoting Shakespeare, we might say, “Mark the music!” Mark not only the music coming from the headphones, but also the music around and within you. When you reach the end of the path, the modern day, many sounds will have been etched into your heart and mind: music to take home with you, the music of ancient times.

Lincoln Center for the Performing Arts is one of the world’s premiere performing arts organizations. On October 8, 2022, David Geffen Hall reopened as a welcoming cultural anchor for New York City, some 60 years after it was first inaugurated as the home of the New York Philharmonic. The new Hall reimagines the concert-going experience by providing more inclusive public spaces for diverse cultural performances and community uses. This initiative includes an annual program of art commissions, where all members of the public are invited to engage with the work of leading contemporary artists free of charge. The democratic approach instills a sense of welcome both indoors and out, beckoning those who may never have interacted with Lincoln Center or the New York Philharmonic, and encouraging those long familiar with the campus to see it afresh. Public Art Fund partnered with The Studio Museum in Harlem to advise Lincoln Center on the selection of artists for this first iteration of the art program. Two prominent sites were identified for the site-specific commissions: the 50-foot Hauser Digital Wall in the lobby, which Jacolby Satterwhite has animated with a richly layered and inclusive celebration of performance that brings into dialogue the past, present and future; and the Hall’s 65th Street façade, which Nina Chanel Abney has transformed into a captivating tribute to the vibrant history and culture of San Juan Hill. Both artists undertook extensive research to develop their works. They emerge as gifted visual storytellers, committed to a more inclusive understanding of the past while giving us all a sense of future potential at a moment of reopening and reinvention. The artworks are commissioned by Lincoln Center for the Performing Arts in collaboration with The Studio Museum in Harlem and Public Art Fund. Nina Chanel Abney, Nina Chanel Abney’s monumental work of art for the façade of David Geffen Hall pays homage to San Juan Hill. In the 1940s and 50s, this predominantly Black and Brown neighborhood was forcibly displaced to make way for redevelopment, including what would become Lincoln Center for the Performing Arts. Abney’s constellation of figures, words, shapes, and symbols reflects the thriving community that lived here. Featured residents include pioneering healthcare workers Edith Carter and Elizabeth Tyler. Also pictured are James P. Johnson, whose music gave rise to the Charleston dance craze, and Thelonious Monk, a pioneer of Bebop and other jazz styles. Reclaiming this important history in her bold and vibrant style, Abney aims to spark curiosity and inspire a more inclusive future. Jacolby Satterwhite, Jacolby Satterwhite’s commission for David Geffen Hall reconsiders the past, present, and future of Lincoln Center and the New York Philharmonic. weaves together archival images, live action footage, and digital animation. We see a colorful and densely layered festival of performance that traverses historical periods through virtual space. Satterwhite’s inclusive cast represents artists since the Philharmonic’s founding in 1842, while featuring young musicians and dancers from across New York City. They play instruments and dance on stages and sculptural monuments set into a landscape inspired by Central Park and surrounded by buildings covered in screens, reminiscent of Times Square. Grounded in a more democratic view of history, Satterwhite’s work offers us his playful and richly inventive vision of a creatively empowered future. is known for combining representation and abstraction. Her paintings capture the frenetic pace of contemporary culture. Broaching subjects as diverse as race, celebrity, religion, politics, sex, and art history, her works eschew linear storytelling in lieu of disjointed narratives. The effect is information overload, balanced with a kind of spontaneous order, where time and space are compressed and identity is interchangeable. Her distinctively bold style harnesses the flux and simultaneity that have come to define life in the 21st century. Through a bracing use of color and unapologetic scale, Abney’s canvases propose a new type of history painting, one grounded in the barrage of everyday events and funneled through the velocity of the internet. Abney’s work is included in collections around the world, including the Brooklyn Museum, The Rubell Family Collection, Bronx Museum, and the Burger Collection, Hong Kong. Her first solo museum exhibition, , curated by Marshall Price, was presented in 2017 at the Nasher Museum of Art, North Carolina. It traveled to the Chicago Cultural Center and then to Los Angeles, where it was jointly presented by the Institute of Contemporary Art, Los Angeles, and the California African American Museum. The final venue for the exhibition was the Neuberger Museum of Art, Purchase College, State University of New York. is celebrated for a conceptual practice addressing crucial themes of labor, consumption, carnality, and fantasy through immersive installation, virtual reality, and digital media. He uses a range of software to produce intricately detailed animations and live action film of real and imagined worlds populated by the avatars of artists and friends. These animations serve as the stage on which the artist synthesizes the multiple disciplines that encompass his practice, namely painting, performance, illustration, sculpture, photography, and writing. Satterwhite draws from an extensive set of references, guided by queer theory, modernism, and video game language to challenge conventions of Western art through a personal and political lens. An equally significant influence is that of his late mother, Patricia Satterwhite, whose ethereal vocals and diagrams for visionary household products serve as the source material within a decidedly complex structure of memory and mythology. Satterwhite received his BFA from the Maryland Institute College of Arts, Baltimore and his MFA from the University of Pennsylvania, Philadelphia. His work has been presented in numerous exhibitions and festivals internationally, including most recently at Haus der Kunst, Munich,2021; Gwangju Biennale, Gwangju,(2021; and Wexner Center for the Arts, Columbus, OH, 2021. Nina Chanel Abney , 2022 Latex ink and vinyl mounted on glass Commissioned by Lincoln Center for the Performing Arts in collaboration with The Studio Museum in Harlem and Public Art Fund Photo: Nicholas Knight, courtesy Lincoln Center for the Performing Arts, The Studio Museum in Harlem, and Public Art Fund, NY. Jacolby Satterwhite , 2022 HD color video and 3D animation 27:23 mins Commissioned by Lincoln Center for the Performing Arts in collaboration with The Studio Museum in Harlem and Public Art Fund © Jacolby Satterwhite. Courtesy of the Artist and Mitchell-Innes & Nash, New York Photo: Nicholas Knight, courtesy Lincoln Center for the Performing Arts, The Studio Museum in Harlem, and Public Art Fund, NY.

New York is one of the most filmed cities on earth. Generations of moviegoers have seen New York depicted and distorted, celebrated and denigrated, idealized and mocked, built up and demolished over and over again on the big screen. Over the past 100 years, legions of filmmakers have drawn attention to New Yorkers’ joys and struggles, shaping our ideas of what the city is—or could become. You Are Here draws on this rich archive of movies set in New York, combining thousands of cinematic moments across 16 screens. Sources include Hollywood blockbusters, independent films, documentaries, and experimental works. By juxtaposing these multiple visions, the dazzling montages of You Are Here make connections and contrasts that allow movies to comment on each other across time and space. Together, they shed new light on the varied New Yorks of our collective imagination. Sometimes New York stars in these movies; sometimes, a studio set or even another city stands in. In the introductory room, Scenes from the City explores the city as a film set, showing how movies have been captured on location throughout the five boroughs. From there, we invite you to enter the immersive central space, where you can explore a narrative tapestry woven from hundreds of films—one impressionistic storyline that strives to represent the multifaceted realities of our countless New York stories.

What new stories can familiar works of art tell? This exhibition showcases longstanding favorites from The New York Historical's permanent collection alongside recent Museum acquisitions and selected loans. Pointed juxtapositions raise questions, create unexpected resonances, and shift established meanings.Martin Wong’s Canal Street (1992) and Oscar yi Hou’s Far Eastsiders, aka: Cowgirl Mama A.B & Son Wukong (2021) establish a longstanding lineage for queer Asian diasporic artists in New York City. And the juxtaposition of Thomas Cole’s five-painting series The Course of Empire (ca. 1834–1836) with Contact 2,021 (2021) by contemporary Shinnecock artist Courtney M. Leonard exposes the racial and gender politics of the Hudson River School landscape tradition. The groupings aim to center long-marginalized experiences and prompt a rethinking of both American art and the way museums tell history. Curated by Wendy Nālani E. Ikemoto, senior curator of American art.

How do elephants “hear” with their feet? Use the 40,000 muscles in their trunks? Or reshape the forests and savannas they live in, creating an environment upon which many other species rely? The Secret World of Elephants reveals new science about both ancient and modern elephants, including elephants’ extraordinary minds and senses, why they’re essential to the health of their ecosystems, and inspiring efforts to overcome threats to their survival.

Back to the Future the Musical is an extraordinary event taking place at the Winter Garden Theatre in New York. From now on, immerse yourself in this captivating experience. “Back to the Future: The Musical” is an extraordinary stage adaptation of the beloved 1985 sci-fi masterpiece “Back to the Future”. Transporting audiences through time, this captivating production follows the thrilling journey of Marty McFly. With the aid of a remarkable DeLorean time machine, invented by his ingenious friend, Marty ventures from the year 1985 to the enchanting era of 1955. Along this extraordinary odyssey, he encounters his own parents during their teenage years, facing the pivotal task of ensuring their destined love and unity, ultimately safeguarding his very existence in the future. Experience the awe-inspiring magic of the theater “Back to the Future: The Musical” Secure your tickets on Trip.com now for an unforgettable journey through time and witness the enthralling attractions that await.

The Lion King Show is an exceptional event that takes place in the vibrant city of New York. Held at the renowned Minskoff Theatre, this show promises an unforgettable experience for all attendees. From now on, immerse yourself in the mesmerizing world of The Lion King. Based on the 1994 Disney film and the original book by Roger and Erin, the musical won an Oscar for the song Can You Feel the Love Tonight. This remarkable production showcases the timeless tale of Simba, the young lion prince, as he embarks on a journey of self-discovery and courage. This visual feast successfully blends animals, puppets and real people seamlessly and is loved by audiences of all ages. Don’t miss out on this extraordinary event, Trip.com offers a wide range of ticketing options. Immerse yourself in the enchanting atmosphere of the Minskoff Theatre and witness the magic unfold before your eyes. Whether you are a fan of the original animated film or a newcomer to the story, this show guarantees to leave you in awe.

A large art project called Day's End now stands in the Hudson River near Pier 52. Created by David Hammond, it's made of slender steel pipes and pays tribute to artist Gordon Matta-Clark, who transformed an abandoned shed on the same pier in 1975. The sculpture changes with the light, connecting to the history of the waterfront as a shipping hub and a gathering place for the gay community. It took seven years to complete the installation, and it's now open to the public for free. The Whitney Museum collaborated with the Hudson River Park Trust on this project, and they will work together on a maintenance plan. To celebrate its completion, the Whitney offers free admission on May 16, and there will be family workshops throughout the day. You can find Day's End at Hudson River Park, across from the Whitney Museum, on the southern edge of the new Gansevoort Peninsula, where it will remain permanently.

Experience this good musical. The denizens of the Kit Kat Club have created a sanctuary inside Broadway’s August Wilson Theatre, where artists and performers, misfits and outsiders rule the night. Step inside their world. This is Berlin. Relax. Loosen up. Be yourself.

Go far beyond our own blue planet and marvel at the latest discoveries about our cosmic neighbors. Immersive visualizations of distant worlds. Groundbreaking space missions. Breathtaking scenes depicting the evolution of our solar system.

An exhibition that reveals the mysterious world of the 5th Duke of Portland. The 5th Duke was an unusual figure in Victorian high society, and many myths and legends have grown around his memory. These include always wearing 3 pairs of socks, only eating roast chicken, and communicating exclusively by letter through his bedroom door. The actual truth behind the stories is uncertain but it seems that the famously private 5th Duke was not a conventional Victorian aristocrat. He is best known for his building projects, which include one of the world’s largest riding schools, 2¾ miles of tunnels, a subterranean ballroom and an underground donkey stable. The 5th Duke of Portland was a keen art collector, and The Portland Collection remains home to many pieces that he chose. He bought more than 50 paintings, including works by Reynolds and Mytens, over 70 miniatures and an extraordinary array of ceramics. This exhibition includes the architectural models for some of the Duke’s building projects, portraits of his lost love – the opera singer Adelaide Kemble, the Duke’s death mask, and his iconic double-letterbox bedroom door.

Any act of good design must also be an act of empathy, respect, and responsibility toward all living organisms and ecosystems––as well as future generations. By translating scientific, technological, and social revolutions into objects and behaviors, design can be an agent of positive change and play a crucial part in restoring the fragile ties between humans and the rest of nature. Life Cycles: The Materials of Contemporary Design explores the regenerative power of design as it shifts its focus towards a more collaborative rapport with the natural world. The objects in this exhibition highlight the entire life cycle of the materials they are made of. From extraction to reuse or disposal, designers are exploring new ways––sometimes drawn from old traditions––to enlist materials in their efforts to bring ecosystems into balance. Cow manure collected from the streets of Indonesia is transformed into casings for loudspeakers and lamps. Bricks made from crop waste and fungi mycelium are used as a carbon-neutral building material. Bees fabricate honeycomb vases over human-made forms. These objects demonstrate that design can be elegant, innovative, and compelling, while at the same time offering new strategies for repairing our planet.

The exhibition reflects Public Art Fund's ongoing commitment to creating public exhibition opportunities for advanced career artists and artists of color, particularly those who may not have received widespread recognition earlier in their careers. Eversley’s presentation represents not only his first public sculpture in New York, but also the first outdoor placement of the artist’s large-scale polyurethane resin works. “Fred Eversley’s art immerses us in perceptual experiences that bring us outside of ourselves. He explores how an artwork may inhabit the world around it while simultaneously inviting us into the realms of imagination and mystery,” said Public Art Fund Artistic & Executive Director Nicholas Baume. “, Eversley’s first public work in his home city, takes his series of pristine cylindrical sculptures to a new scale and context, engaging with the ever-changing outdoor environment, the effects of natural light, and the countless visitors whose attention it captures.” New York-based artist Fred Eversley is a pioneer of the West Coast Light and Space and Finish Fetish movements. With his scientific background as an electrical and aerospace engineer informing his artistic practice for over fifty years, Eversley is renowned for his vivid cast resin works that invite audience-artwork interaction through a range of sensory phenomena. Dedicated to expressing ideas about energy as a physical and metaphysical concern for all of humanity, Eversley’s sculptures center on the parabola, the only shape that concentrates all forms of energy—light, sound, and heat—into a single acoustic and optical focal point. “My parabolic forms are all about energy. They are made to reflect all the infinite combinations of internal reflections, refractions, color changes, and other optical phenomena that one can experience within a single sculpture,” said artist Fred Eversley. “ and its display in Doris C. Freedman Plaza resonates with my vision of an energetic outdoor focal point to attract public audiences to spontaneously pause, slow down, and engage in numerous ways with a cosmic, mystifying object.” Eversley’s presentation with Public Art Fund marks an ambitious continuation of his new works, the artist’s first series of larger-than-human-scale, free-standing, floor-based sculptures. These recent works—which debuted at David Kordansky Gallery in May 2023—are conceptually linked to the cylindrical section sculptures the artist first exhibited in his first solo presentation at the Whitney Museum of American Art in 1970. The largest work of the series thus far, , is shaped as a plano-convex lens that focuses light into a single line. It acts as an optical instrument where stillness and motion appear to be present at the same time. Its geometrical mass gradually transitions its magenta hue, from rich saturation at its bottom to colorless transparency at the apex. The color saturation further shifts depending on the angle of the viewer and the direction of the sun. The sculpture obtains its luminous tone and reflective quality from its crystal-clear resin material and through a labor-intensive hand-polishing process. appears simultaneously reflective and transparent, liquid and solid—a manmade form with an otherworldly, ethereal quality. prompts questions about how optical and physical perceptions determine how we connect with each other and the world, communicating a kinetic, palpable sense of the mysterious presence of energy throughout the universe. The sculpture’s properties, and direct placement on the ground, entice viewers to approach and move around the work. Bending, distorting, and reflecting faces, forms, and colors, the work heightens the relationship between the viewer’s body and the cylindrical lens. This key performative facet is on full display in this outdoor work. Interacting with natural light and spontaneous passers-by, it represents Eversley’s most far-reaching and dynamic foray into the cultivation of audience-artwork interaction to date. The work's outdoor site allows for natural light to hit its surface and further generate a range of refractions and prismatic effects, connecting the viewer’s senses with the object and the environment in spellbinding ways. In this way, the sculpture expands and destabilizes multiple states of existence and perception. Straddling the scientific, metaphysical, and mystical, the sculpture functions as a portal for viewers to a world of radiant color, abstracted form, and a re-examination of one’s self and others within our surroundings. is curated by Public Art Fund Artistic & Executive Director Nicholas Baume with support from Public Art Fund Assistant Curator Jenée-Daria Strand, and developed by former Public Art Fund Senior Curator Allison Glenn. ABOUT THE ARTIST Fred Eversley (b. 1941, Brooklyn, New York) is a key figure in the development of contemporary art from Los Angeles during the postwar period. He synthesizes elements from several art historical movements associated with Southern California, including Light and Space, though his work is the product of a pioneering vision all his own, informed by lifelong studies on the timeless principles of light, space, time, and gravity. Prior to becoming an artist, Eversley moved to California to become an engineer, collaborating with NASA and major aerospace companies to develop high-energy acoustic and vibration testing laboratories. Eversley’s work on NASA’s second and third human spaceflight programs, Gemini and Apollo, developed his interest in the parabola, which began when he was a teen. His pioneering use of plastic, polyester resin, and industrial dyes and pigments reflects the technological advances that define the postwar period even as his work reveals the timeless inner workings of the human eye and mind. Eversley will unveil his largest Public Commission to date, a sculptural installation, titled “Portals”, for permanent display in Able’s Park, at One Flagler, West Palm Beach in early summer of 2024, commissioned by Related Companies in partnership with the City of West Palm Beach. He has also been the subject of solo exhibitions at the Orange County Museum of Art, Costa Mesa, California (2022–2023); Rose Art Museum, Brandeis University, Waltham, Massachusetts (2017); Art + Practice, Los Angeles (2016); National Academy of Science, Washington, D.C. (1981); Palm Springs Art Museum, California (1977); Newport Harbor Art Museum, Newport Beach, California (1976); and Whitney Museum of American Art, New York (1970). Eversley will be part of two major group shows as part of the Pacific Standard Time Art and Science Collide program 2024. Recent group exhibitions include Light and Space, Copenhagen Contemporary, Copenhagen (2021–2022); Soul of a Nation: Art in the Age of Black Power 1963–1983 (2017–2020, traveled to five venues); Space Shifters, Hayward Gallery, London (2018); Dynamo – A Century of Light and Motion in Art, Grand Palais, Paris (2013); Pacific Standard Time: Art in L.A. 1945–1980 (Getty Foundation, 2011; traveled to Gropius Bau, Berlin, 2012). His work is in the permanent collections of more than three dozen museums throughout the world, including Tate Modern, London; Guggenheim Museum, New York; Museum of Fine Arts, Houston; Whitney Museum of American Art, New York; Crystal Bridges Museum of American Art, Bentonville, Arkansas; Museum of Modern Art, New York; K11 Art Foundation, Hong Kong; and Los Angeles County Museum of Art. The first monograph dedicated to Eversley’s work was published by David Kordansky Gallery in 2022. Eversley lives and works in New York City.

From the MINDS that brought The Play That Goes Wrong and Peter Pan Goes Wrong to Broadway comes the hilarious new comedy by Mischief!

Stephen Sondheim and Hugh Wheeler’s landmark musical tells the tale of a resourceful pie shop owner and a vengeful barber out for blood. After he’s sent away by a corrupt judge, Sweeney returns to London years later seeking his long-lost family, and forms an unlikely partnership with Mrs. Lovett, who serves up pies underneath his former shop. Together, they wreak havoc on Fleet Street and serve up the hottest – and most unsettling – pies in London.

Hadestown intertwines two mythic tales—that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone—as it invites you on a hell-raising journey to the underworld and back. Mitchell’s beguiling melodies and Chavkin’s poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers and singers, Hadestown is a haunting and hopeful theatrical experience that grabs you and never lets go.

The Milton Resnick and Pat Passlof Foundation presents Milton Resnick: 811 Broadway, 1959-1961. Three large paintings from his short lived time at a studio on Broadway. Geoffrey Dorfman, Resnick's biographer, sets the stage for these large works in his essay on the paintings, the time, and the artist: The three huge paintings featured in this exhibition, Botany, Curtain for Tomorrow, and Octave, mark a pivot point in the career and indeed the life, of Milton Resnick. The year was 1960, and one might say that the Abstract Expressionist phenomenon had attained the very summit of its acceptance, captivating the imagination of the art public, the magazine writers, and finally the newly burgeoning marketplace for contemporary American painting. Ironically, at this victorious moment the collapse of the Abstract Expressionist movement was on the immediate horizon.

One of the most prominent features of art from the late eighteenth century onwards, particularly after World War II, is artists’ tendency to evolve traditional artmaking methods outside the studio’s boundaries. This exhibition will examine the ways in which contemporary artists enacted new ideas formed by the social and historical contexts of their time and pushed the boundaries of artmaking and materials as a result. By Way Of offers a suite of works from the museum’s permanent collection inspired by the D.Daskalopoulos Collection Gift. Major artists from the Arte Povera movement of the 1960s and 1970s, like Jannis Kounellis and Mario Merz will share the galleries with artists working today, such as Rashid Johnson, Mona Hatoum, and Senga Nengudi.

Contemplate and celebrate what Himalayan art means now with a Museum-wide exhibition of artworks by over 30 contemporary artists, many from the Himalayan region and diaspora and others inspired by Himalayan art and cultures. On the occasion of the Rubin’s 20th anniversary, Reimagine: Himalayan Art Now transforms the entire Museum with commissions, some site-specific, and existing works juxtaposed with objects from the Museum’s collection, inviting new ways of encountering traditional Himalayan art. Through a wide range of media, including painting, sculpture, sound, video, performance, and more, the artists explore their personal and collective histories and call attention to themes such as the fluidity of identity, spiritual practices, sense of belonging, grief, memory, and reclamation. The artists also offer critical and thoughtful commentary on issues facing humanity across time. Reimagine: Himalayan Art Now is curated by Michelle Bennett Simorella, Director of Curatorial Administration & Collections at the Rubin Museum, with guest curators Roshan Mishra of Taragaon Next and Tsewang Lhamo of Yakpo Collective.

Public Art Fund presents Huma Bhabha: Before The End, an exhibition featuring a series of four new large-scale bronze sculptures set against the verdant backdrop of Brooklyn Bridge Park. Drawing inspiration from a diverse array of influences, Bhabha’s works blend aesthetic, cultural, and psychological elements, probing the intersections of art, science fiction, horror, and mythology.

See stunning jewelry pieces that trace the history of hip-hop from the 1980s to today. Ice Cold: An Exhibition of Hip-Hop Jewelry celebrates hip-hop’s cultural influence through exquisite jewelry worn by some of its iconic stars. Highlights include Slick Rick’s dazzling crown, Notorious BIG’s legendary gold “Jesus piece,” a diamond-encrusted Roc-A-Fella medallion from the record label co-founded by Jay-Z, Nicki Minaj’s sparkling “Barbie” pendant, and pieces from Erykah Badu, A$AP Rocky, Joey Bada$$, FERG and Tyler, the Creator, among others. Building on New York City’s celebration of hip-hop’s 50th anniversary as a global phenomenon, Ice Cold will highlight the evolution of hip-hop jewelry over the past fifty years, starting with the oversized gold chains adopted by rap pioneers in the 1980s, all the way to the 1990s, when emcees turned business moguls wore record label pendants sparkling with diamonds and platinum.

In 9999, Cameron A. Granger uses the framework of video games and magic to imagine an alternative method of liberation for Black communities from the compounding effects of racist urban planning. In early role playing video games, due to low computer processing capacity, 9,999 was the numerical damage limit done to a character that could be registered on screen. Yet sometimes, additional damage continued to accrue off-screen – incapacitating, yet unseen. Granger takes this concept of the concealed yet relentless harm, and applies it to the cumulative corrosion of segregative design, environmental racism, and gentrification. To make sense of the convoluted legacies of systemic injustice, Granger visualizes the wounds left by structural violence through “black holes” that rip the city’s fabric. His films, prints, and sculptures create a video game-like narrative that provides puzzles, tips, and charms that aid in deciphering these black holes. In diagnosing the root cause of the issue, Granger proposes that the black holes are the result of a spell cast by nefarious, hidden forces. To break the curse, he speculates what might be possible if the black holes could be used as portals to share knowledge. Seeking answers, Granger turns to stage magicians, root workers, and conjurers. His work references Black magicians such as Henry “Box” Brown (1815-1897) whose performances alluded to his 1849 self-emancipation via mail, and Benjamin Rucker aka Black Herman (1892-1934) whose magic acts and conjuring remedies built a massive following in the 1920s among Black communities. Granger also draws on the practice of conjuring, invoking remedies for locating harm’s source, protecting, and healing. Additionally, he calls upon the Haitian folklore of zombies, originally mythologized as the spirits of enslaved laborers trapped to haunt plantations in their afterlife. Granger reconceptualizes their spirits as a unified force reemerging from the grave to aid in liberation. Sourcing wisdom from Black forebears whose knowledge helped their communities self-emancipate, heal, and thrive, Granger offers a collective vision of empowered futurity. In a dimly lit gallery that mimics the digital landscape of a video game, Granger creates a narrative where memories of and knowledge from Black ancestors provide clues, methods, and tools that once pieced together, may reveal the key to break free. Cameron A. Granger: 9999 is curated by Sarah Cho, Assistant Curator.

Experience the Horsepower Wrestling Camp 2024 - 4 days in Clifton Park, held at Shenendehowa East High School from July 1st to July 5th. Open to boys and girls entering 1st-9th grade, this camp focuses on developing essential wrestling skills such as takedowns, turning and pinning, and mastering techniques for getting off the bottom. Emphasizing hard work, discipline, conditioning, and the importance of fun, participants will not only enhance their wrestling abilities but also cultivate valuable life skills. The primary goal is to shape not just stronger wrestlers, but better individuals through the sport of wrestling. Please note that there will be no camp on July 4th, allowing attendees to enjoy the holiday. Secure your spot for this enriching experience at the Horsepower Wrestling Camp 2024 - 4 days for only $125.

Brooklyn Soccer Camps For Kids, hosted by Sweat F.C., aims to enhance the soccer knowledge and skills of young players aged 5-16 in Brooklyn. The week-long camp, located at Brooklyn Bridge Park Pier 5, offers a comprehensive program to elevate participants' understanding and capabilities on the field. With a focus on individual position mastery and team performance improvement, campers engage in skill-building exercises and group activities throughout the day from 9am to 3pm. Sweat Soccer Camps Brooklyn provides an affordable opportunity for players to refine their talents and contribute to their team's success. The camp's mission is centered on fostering a supportive environment where young athletes can develop and excel. To register or learn more about this exciting event, contact Registration@sweatsoccercamps.com. Don't miss the chance to be a part of this enriching soccer experience in Brooklyn!

Join the July 4th Freedom Run NYC, a small and private group run, in the beautiful setting of the Hudson River Trails in New York City. This event is perfect for runners of all ages and paces, whether you prefer to run or walk. Choose between a 5K, 10K, or Half-Marathon and celebrate the July 4th weekend with friends and family. Not only will you have a great time, but you will also be supporting a worthy cause. 10% of the net proceeds, as well as 100% of the fundraising, will go to Hope for the Warriors, a non-profit organization that provides support programs for service members, veterans, and military families. Make sure to sign up quickly as spots are limited and waves will sell out fast. If your preferred wave is sold out, you can still sign up for the virtual run option or join the waitlist. The run is capped at just 15-20 participants per wave, ensuring a more intimate and enjoyable experience. There's no need for any special equipment or setup, just bring yourself and our coordinators will be there to support and guide you throughout the event. While timing is optional, our coordinators can help you keep track of your time using bib numbers given out on race day. As a participant, you will receive a premium running shirt shipped directly to your address, and for those who complete the run, a finisher's medal will be awarded. Packet pickup is hassle-free as everything will be shipped to you. Wave times are available from 7:30 AM to 9:00 AM, and if you can't make it to a specific wave, late runners can still participate upon arrival. For those who prefer a virtual run, you can choose this option and complete the run at any time and place of your choosing. If you're interested in signing up for multiple races or becoming a sponsor, discounts and promotional opportunities are available. And if you want to give back to the running community, consider joining our team of volunteers. Register for the July 4th Freedom Run NYC and not only enjoy a fantastic run but also support a great cause. Together, let's celebrate freedom and make a difference!