The project, titled DALY, standing for Dessiner Avec Les Yeux (Drawing with my Eyes), is implemented with the help of an eye tracker (an oculometric procedure that highlights eye activity, the visual path, its fixation points and movements). So the eye rather than the hand becomes the tool. For the last thirty or so years, the artist has collaborated with numerous laboratories in creation of these works, including at the Louvre, the Centre Pompidou, the MUDAM in Luxembourg, the Zentrum Paul Klee in Berne, the Dadu Museum in Beijing, the Nouveau Musée National in Monaco and the Centre d’Art Verrier (CIAV) in Meisenthal.
Michel Paysant focuses in particular on interpretation of artistic heritage, revisiting art history, “looking at” works through the filter of his own creation. In 2022, he was overcome by a desire to draw Claude Monet’s Water Lilies with his eyes.
Initially, perhaps, because of the paradoxical nature of such an ambition: wanting to draw huge paintings characterised by their scope, their lack of beginning and end, regarded as one of the birth certificates in the west for a decentred, “all-over” form of painting, where no one part of the painting holds primacy over any other.
The project, titledDALY,standing forDessiner Avec Les Yeux (Drawing with my Eyes), is implemented with the help of an eye tracker (an oculometric procedure that highlights eye activity, the visual path, its fixation points and movements). So the eye rather than the hand becomes the tool. For the last thirty or so years, the artist has collaborated with numerous laboratories in creation of these works, including at the Louvre, the Centre Pompidou, the MUDAM in Luxembourg, the Zentrum Paul Klee in Berne, the Dadu Museum in Beijing, the Nouveau Musée National in Monaco and the Centre d’Art Verrier (CIAV) in Meisenthal.
Michel Paysant focuses in particular on interpretation of artistic heritage, revisiting art history, “looking at” works through the filter of his own creation. In 2022, he was overcome by a desire to draw Claude Monet’sWater Lilieswith his eyes.Initially, perhaps, because of the paradoxical nature of such an ambition: wanting to draw huge paintings characterised by their scope, their lack of beginning and end, regarded as one of the birth certificates in the west for a decentred, “all-over” form of painting, where no one part of the painting holds primacy over any other.

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Visiting the Palace of Versailles was an amazing experience, but there are a few things to keep in mind. The palace is about an hour away from the city by train. The gardens are super vast, so be prepared for a lot of walking (suggest to rent a bicycle, golf car or take the shuttle train🤔). There is no need to add the musical show to your ticket if it&rsquo;s scheduled during your visit&mdash;it was free when I went on april. Also, bring some food with you, as dining options inside can be limited and pricey.Keep in mind that once your ticket is scanned, you can only enter the palace once. Make sure to explore the entire palace before stepping out. I arrived 2&ndash;3 hours later than my booking time but was still able to enter without any issues. Be prepared for long queues, especially during peak hours.Overall, it was worth the visit despite the minor inconveniences!

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