New York City’s Dancemobile was a groundbreaking project in African American dance, created by Carole Y. Johnson and produced by the Harlem Cultural Council. For over two decades, between 1967 and 1989, this flatbed- truck-turned-stage traversed the city’s five boroughs, bringing free performances by Black choreographers to streets, parks, and community spaces. Reaching more than 1 million New Yorkers, Dancemobile showcased the work of choreographers Eleo Pomare, Rod Rodgers, Louis Johnson, George Faison, Garth Fagan, Dianne McIntyre, and many others.
In this session of The Dance Historian is In, Dr. Emily Hawk delves into Dancemobile’s history and legacy, sharing rare documents, videos, and oral histories from the Jerome Robbins Dance Division. She explores Dancemobile’s significance for choreographers, dancers, and audiences alike, revealing how the program transformed the way dance could educate, entertain, and engage communities across New York City.
For more than 10 years, 
The Dance Historian Is In
 at the Library for the Performing Arts has highlighted a diverse range of dancers and choreographers across history. This series began when archivist and historian David Vaughan started volunteering at the Jerome Robbins Dance Division. Vaughan began a monthly program showing his favorite dance films from the Division's extensive collection, through which he unearthed many treasures, and helped acquire even more. Vaughan continued the series until the end of his life. Today, we honor his memory and work by inviting dance historians from all over the world each month to carry on the tradition of highlighting dance history through the Dance Division's moving image collection.
Photo Credit: 
The Feet
, Vol 1, no. 10, May-June 1971. Jerome Robbins Dance Division.
This event will take place online via Zoom as well as in person at The Library for the Performing Arts.
*A streaming link will be emailed to everyone on the morning of the event for those wishing to attend virtually.
SEATING POLICY | Programs are free and open to all, but registration is requested. Check-in line forms 45 minutes before the advertised start time. Registered guests are given priority check-in 15 to 30 minutes before start time. Five minutes before the advertised start time, all seats are released, regardless of registration, to our patrons in the stand-by line. If you arrive after the program starts, you will be seated at the discretion of our front-of-house staff.
STANDBY LINE | If registration is sold out or has ended, do not fret! We welcome you to come to the Library regardless of registration status and wait in our standby line, which forms 45 minutes before the advertised start time. Five minutes before the program starts, all remaining seats are released. While this is not guaranteed, we will do our best to get you into any of our programs.
ASSISTIVE LISTENING AND ASL | ASL interpretation and real-time (CART) captioning available upon request. Please submit your request at least two weeks in advance by emailing accessibility@nypl.org.
BRUNO WALTER POLICY | Please note that any unoccupied seat will be released five minutes before the show begins and holding seats for anyone beyond that is prohibited. There is no food or drink allowed inside the venue.
AUDIO/VIDEO RECORDING | Programs may be photographed and recorded by and at the discretion of the Library for the Performing Arts and will post signs indicating as such. If you would prefer your image not be captured, please let us know and we can seat you accordingly. Attending any program indicates your consent to being filmed/photographed and your consent to the use of your recorded image for any and all purposes of the New York Public Library.
PRESS | Please send all press inquiries to Alex Teplitzky at alexteplitzky@nypl.org. Please note that all recording, including professional video recordings, are prohibited without expressed consent from the Library.
Information Source: New York Public Library for the Performing Arts | eventbrite

New York

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