2026 Gaoping Travel Guide: must-see attractions, popular food, hotels, transport & travel experiences (updated in January)

When sunlight filters through the broken window frames When the twenty-four fierce Arhats awaken from the dust This Song Dynasty wooden structure, forgotten by time, Is staging a silent judgment✨ 📍Exact Location: Mixi Village, Mishan Town, Gaoping City, Jincheng 🎫 Visiting Method: Contact the cultural heritage guardian (usually at home) ⏰ Open Status: Non-official scenic spot｜Visits require chance 🚗 How to Get There: ▪️ Taxi from Gaoping city center, 30 minutes (about 40 RMB) ▪️ Recommended to charter a car to connect ancient buildings (300 RMB/day) ▪️ Navigate to “Tiebosi Temple” and ask villagers at the village entrance 🏮 Three Major Time-Space Layers: ❶ The Building Itself · A Frozen Chronology ▫️ Song Dynasty wooden framework｜Expanded in Jin Dynasty｜Repaired in Ming Dynasty ▫️ Single-eave Xieshan roof with gentle slopes ▫️ Pay attention to differences in the carved column bases’ eras ❷ The Twenty-Four Heavenly Beings · Peak of Polychrome Sculpture ▫️ Original works from Northern Song Shaosheng period (1094-1098) ▫️ Each about 1.8 meters tall｜Partial polychrome paint preserved ▫️ Close-up photography prohibited (guardian will remind you) ❸ The Empty Buddha Seat · Absent Faith ▫️ Iron Buddha lost during late Ming Dynasty wars ▫️ Sumeru pedestal retains Ming Dynasty patterns ▫️ Quietly observe the empty seat to feel the “formless” 📜 Visiting Notes: ▫️ Guardian Mr. Li lives in the east wing of the temple ▫️ Be sincere｜Donations are welcome ▫️ Visit time limited to 15-20 minutes ▫️ Mosquito protection needed in summer｜No heating in winter 📸 Photography Permissions: ✅ Only allowed to photograph the building exterior ✅ Allowed to photograph the overall interior space (no flash) ❌ Strictly no close-ups of polychrome sculptures ❌ Do not touch any wooden components 🗺️ Gaoping Ancient Building Route: Tiebosi Temple (30 min) → Kaihua Temple (40 min) → Chongming Temple (30 min) → Erlang Temple (20 min) (Whole route requires chartered car｜Recommended to start at 8 AM) ⚠️ Survival Guide: ❌ Do not mention “internet celebrity” or “check-in” ❌ No loud noises inside the halls ✅ Bring cash (guardian may not accept digital payments) ✅ Wear long pants to prevent fleas (common in ancient buildings) ✅ Beware of puddles during rainy season 🌾 Villagers’ Memories: ▪️ Used as a primary school classroom in the last century ▪️ Pencil graffiti marks on the rafters ▪️ “Learn from Dazhai in Agriculture” slogan on the west wall ▪️ You can ask Mr. Li about his family’s temple-guarding stories

Dear travelers! We've uncovered a treasure ancient temple favored by time — Gaoping Dinglin Temple! Located in Gaoping, Jincheng, Shanxi, this low-key millennia-old site hides breathtaking beauty. Architecture enthusiasts and history buffs, gather quickly! Stepping through the temple gate feels like falling into a sealed historical painting. Founded during the Northern Wei dynasty, this ancient temple has withstood thousands of years of weathering. The existing Song dynasty buildings, Ming dynasty murals, and Yuan dynasty inscriptions each tell stories of the past. The main hall’s bracket sets and flying eaves are magnificent, the glazed roof ornaments imposing, and though the painted beams and columns are weathered, they remain stunning. Standing inside, you can truly feel the warmth of history! Originally named "Yongde Temple," it was renamed "Dinglin Temple" due to the Dinglin Spring within. The temple features four successive courtyards, with two side courtyards to the east, including pavilions and towers, grand and spectacular. It is the largest ancient temple among the 22 nationally protected sites in Gaoping. The exact founding date of Dinglin Temple is unknown but it existed at least by the Tang dynasty. Along its central axis are the Shanmen Gate, Leiyin Hall, Three Buddha Hall, and Seven Buddha Hall. It was expanded and renovated repeatedly from the Song to Qing dynasties. The existing structures include the Shanmen Gate, Leiyin Hall, Seven Buddha Hall, east and west side halls, two halls of the Arhats of Good Law, the Zhijuan and Wenjin spring caves, and a meditation hall side courtyard. Leiyin Hall is the oldest, built in the Yuan dynasty, as are the east and west side halls; the rest date from the Ming and Qing dynasties. Highlight 1: The Shanmen Gate with double-eaved Xieshan-style roof spans three bays. It is a two-story pavilion with nine ridges; the bottom floor is brick, the second floor wooden. The lower floor serves as the temple’s main entrance, while the upper floor houses statues of the Four Heavenly Kings, so the gate is also called the "Heavenly Kings Hall." A projecting porch in front creates a "three visible layers, two hidden layers" structure, with staggered eaves and sharply upturned corners, giving a unique shape. The Heavenly Kings Hall aligns with the three-story bell and drum towers on each side, forming a row with five tiers of eaves, creating a grand and imposing sight — a masterpiece of Shanxi pavilion architecture. Looking up, the roof resembles a great roc spreading its wings to fly. Highlight 2: Yuan Dynasty Leiyin Hall The courtyard’s center features a square platform base topped by Leiyin Hall. The hall is square in plan, with bracket sets and flying eaves, dignified and elegant, representing the essence of Dinglin Temple’s surviving ancient architecture. Unusually, Leiyin Hall’s architectural style differs from typical Yuan wooden structures, which tend to be bold and robust. It has a single-eaved Xieshan roof, three bays wide and deep, with a six-rafter beam structure, yet the overall impression is delicate and exquisite. Highlight 3: Lotus-head hanging flower column caisson The lotus-head hanging flower column caisson inside the Shanmen pavilion is unique nationwide and arguably Dinglin Temple’s greatest highlight. However, the pavilion is currently closed to visitors. The staircase is very narrow, and the caisson is exquisitely constructed with eight six-bracket sets and eight floral patterns, surrounded by four lotus-head hanging flower columns. The paintings were restored in later periods and remain vividly bright and dazzling. Hidden Experiences: ▪️ Calm your mind and listen to the wind passing through the eaves in the courtyard, feeling the Zen and tranquility ▪️ Carefully read the ancient inscriptions on the stone tablets to uncover stories buried by history ▪️ Nearby are Kaihua Temple and the Ji family residence — enjoy an immersive ancient architecture tour that’s truly rewarding!

Today, Tiefo Temple has opened its doors. Ancient architecture enthusiasts are overjoyed, because it is not just an ordinary temple, but a sacred hall of polychrome sculpture art that commands reverence. . When you push open that ancient temple door, light pierces through the darkness like a sharp sword, illuminating those ancient statues, and you can’t help but exclaim in admiration. . Among them, the Four Heavenly Kings glare fiercely, sending chills down your spine without a fight, the Twenty-Four Devas have exaggerated expressions, their forms full and smooth, with richly layered clothing folds, and details vividly lifelike. . Here you will also find the “Most Beautiful Guan Yu Statue,” he is clad in magnificent armor, ribbons fluttering, strength and beauty harmoniously coexist. His fierce gaze seems to see through the human heart. The ultimate beauty makes you feel the shock of traveling through history. . 📌 Address: Tiefo Temple, Mishan Town, Gaoping City, Shanxi Province 🎫 Tickets: Free, online reservation required 🚄 Transportation: Take the high-speed train to Gaoping East Station, then take bus No. 118 for 40 minutes to reach the temple.

Gaoping Ancient Architecture Art Tour | Three Days to Explore Northern Song Murals + Ming Dynasty Painted Sculptures + Unique "Broken Beam" Architecture ✨ You definitely can't miss these three ancient temples in Gaoping! Each one houses astonishing artistic treasures. Follow this route, and it will surely be an eye-opener for you～ 🏯Day 1: Kaihua Temple 📍Address: Wangcun Village, Chenqu Town, Gaoping City ✨Highlights: The murals of this Northern Song imperial temple are well-preserved, with lifelike figures and exquisite, magnificent attire, earning them the title "Riverside Scene at Qingming Festival on the Walls." Remember to bring a flashlight to appreciate the stunning details of the murals! 🏯Day 2: Tiefo Temple 📍Address: Mixi Village, Mishan Town, Gaoping City ✨Highlights: The pinnacle of Ming Dynasty painted sculpture art! 27 statues in various poses, especially the "Oriental Venus" statue, whose incomplete beauty is deeply moving. The best time to visit is in the morning, when sunlight streaming through the windows creates a truly atmospheric scene on the sculptures! 🏯Day 3: Chongming Temple 📍Address: Jinjia Village, Sanjia Town, Gaoping City ✨Highlights: The only existing example of "broken beam architecture" in the country, with a structural design so peculiar it makes you wonder how the ancients achieved it! It's recommended to hire a guide; hearing about the ancient architectural principles will surely make you marvel at the wisdom of our ancestors! 📌Practical Tips: 1. All three temples are relatively remote; it's recommended to charter a car or drive yourself. 2. Bring enough snacks, as there are few restaurants nearby. 3. Please maintain quiet during your visit; these are national treasures. 4. Tiefo Temple becomes even more mysterious after dark when the lights are on, perfect for atmospheric photos. This trip to Gaoping completely overturned my perception of Shanxi's ancient architecture. It turns out that besides Mount Wutai and Pingyao, there are so many priceless treasures hidden in these county towns! I'll definitely come back to savor them again～

Hey guys! The 4-day Changzhi-Jincheng travel guide is here! Carefully selected filming locations from "Black Myth: Wukong" like Guanyintang and Chongqingsi, deeply experiencing the historical culture behind them. All-inclusive price covering accommodation, transportation, and tickets, designed for a worry-free trip. Book quickly! . Friends who see this, don’t miss out, here’s the super comprehensive guide ↓ . 📒 Suggested Itinerary: DAY1: Tiantai Temple — Longmen Temple — Dayun Monastery — Yuanqi Temple 🚶‍♂️Visit four ancient temples in one day, feel the tranquility and solemnity of Changzhi’s ancient architecture. DAY2: Guanyintang (selected filming location of "Black Myth: Wukong") — Faxing Temple — Chongqingsi (selected filming location of "Black Myth: Wukong") — Wufenglou 🏯 Immerse yourself in the historical charm behind "Black Myth: Wukong" and explore these architectural treasures. DAY3: Qinglian Temple — Xiaonan Village Erxian Temple (selected filming location of "Black Myth: Wukong") — Yuhuang Temple (selected filming location of "Black Myth: Wukong") — Fucheng Guandi Temple 🌄 Tour famous temples in Jincheng in one day and appreciate the profound art of ancient architecture. DAY4: Chongming Temple — Gaoping Iron Buddha Temple — Kaihua Temple — Dinglin Temple — Wangbao Erlang Temple 🏯 Deeply explore Jincheng with five temples in one day, experiencing the unique charm of each ancient building. Finally, depart from Jincheng to return home, ending this journey full of historical charm and cultural exploration! 🛫 . 🌡️**Travel Preparation: Practical Checklist for Changzhi-Jincheng in December, Stay Warm & Have Fun!** 🧥**Clothing**: December is very cold! Must bring down jackets, fleece pants, thermal underwear, scarf, hat, and gloves to prevent frostbite. Choose non-slip shoes for safer Taihang Mountain hiking~ 📱**Electronics**: Carry a power bank + charging cables (photos at scenic spots drain battery fast), camera or phone gimbal for stable shots of the ice waterfall at Baquan Gorge, selfie stick for group photos is super convenient! 💊**Medicines & Miscellaneous**: Bring cold medicine and stomach medicine (Shanxi has lots of noodles, beware of stomach discomfort), heat patches for waist and abdomen, thermos with hot water, a sip in cold weather is super soothing! 🪪**Documents & Wallet**: ID card is a must! Don’t forget student or senior cards for half-price discounts, carry some cash (signal is weak in some mountain areas), keep bank cards and keys in a small separate bag to avoid loss~ 🧴**Skincare Items**: Moisturizer, thickly applied lip balm (dry and peeling in the north), sunscreen (snow reflection is harsh on the face), wet wipes for hands and devices, convenient and hygienic! . ↓Click the card to easily book group tours and enjoy a worry-free trip

Want to take an in-depth tour of Changzhi-Jincheng? Don’t miss this guide! It will take you to see 3 stunning painted sculptures, deeply understand the craft and stories behind them, and also enjoy the thirteen jumps of Chinese wooden architecture and the Bagua caisson ceiling. Immerse yourself in the charm of ancient buildings and art—bookmark it now! -- 🌟 Itinerary: 📒 Day 1: Arrive in Southeast Shanxi🛬 Changzhi, 24-hour airport/train station transfer directly to the hotel, free activities to get your first impression of the city. 📒 Day 2: Tiantai Temple — Longmen Temple — Dayun Temple — Yuanqi Temple, visit four ancient buildings in one day, explore the essence of painted sculptures, and learn about the techniques and stories behind the statues. 📒 Day 3: Guanyin Hall (see 3 must-not-miss painted sculpture masterpieces) — Faxing Temple — Chongqing Temple — Wufeng Tower, wander among ancient buildings, feel the historical charm, and admire the thirteen jumps of Chinese wooden architecture and the Bagua caisson ceiling. 📒 Day 4: Qinglian Temple — Xiaonan Village Erxian Temple — Yuhuang Temple — Fucheng Guan Di Temple, visit four temples in one day and appreciate the religious cultural charm of Southeast Shanxi. 📒 Day 5: Chongming Temple — Dinglin Temple — Gaoping Iron Buddha Temple — Kaihua Temple, a final day of in-depth exploration to discover more ancient architectural treasures of Southeast Shanxi. 🛫 End your pleasant trip to Southeast Shanxi and head home! -- 🌨️ Travel checklist: Must-haves for a warm winter trip to Changzhi-Jincheng in December! 🧥 **Clothing**: Fleece-lined windbreaker + sweater base layer, windproof scarf and gloves ready, flat shoes for walking on ancient stone steps without tiring your feet! 📱 **Electronics**: Power bank on hand (weak signal in mountainous areas), camera to capture the Taihang snow scenery, selfie stick to record Hukou Canyon! 🪪 **Documents and cards**: ID card is a must, student/senior cards for discounts, carry some cash for small change (some small stalls only accept cash)! 💊 **Health protection**: Cold medicine + motion sickness patches (many mountain roads), moisturizer to fight dryness, warm patches and phone to prevent shutdown in low temperatures! 🧺 **Personal items**: Foldable umbrella for snow, thermos for hot water, lightweight backpack with snacks, wet wipes for easy hand cleaning! -- Not had enough of the beautiful scenery and food in Changzhi-Jincheng? Quickly save this guide and follow this route on your next group tour!

“Viewing Shanxi through its ground relics,” Gaoping in Shanxi truly is a treasure trove of ancient architecture, Nationally protected ancient buildings are not rare here at all, Right in Tielu Village, Gaoping, Jincheng, I came across an ancient building dating back to the Yuan Dynasty— Qingmeng Temple. - To be honest, Qingmeng Temple is not the kind of ancient building that stuns at first glance, At first sight, It seems quite similar to ordinary ancient residences in Shanxi. But it is the most beautifully named ancient building I have ever visited— “Life is but a fleeting dream.” It is said that the builder here back then, Ji Zhixuan, a Quanzhen Taoist priest of the Yuan Dynasty, Was inspired after traveling the Five Great Mountains, So he gave up his home to build the temple and named it “Qingmeng” (Clear Dream). - After hundreds of years have passed, Qingmeng Temple has been restored. Today, along the central axis are the mountain gate, middle hall, worship pavilion, and main hall in sequence, With bell and drum towers, side halls, wing rooms, and ear halls on the left and right. The middle hall is a Yuan Dynasty structure, the main hall was rebuilt in the Ming Dynasty, And the rest are from the Qing Dynasty. - It is said that the most famous feature of Qingmeng Temple Is the mural of the Eighty-One Transformations of the Supreme Lord Laozi. However, when we visited, several hall doors were locked, So we couldn’t see it. But the temple is quiet and peaceful, and strolling around is quite pleasant. - The happiest moment was in a corner outside the main hall of the temple. I encountered an adorable little stone lion, Lying on the corner of a stone platform, looking up and back, As if savoring the vicissitudes of nearly a thousand years. - Location: Tielu Village, Gaoping, Jincheng, Shanxi Admission: No ticket or reservation required, but viewing the murals is by chance Tips: Tielu Village, where Qingmeng Temple is located, also has a long history, with very distinctive village architecture. The Gaoping big yellow pears produced here are quite famous and are well-known tribute pears.

Wangtai Hotel is truly an excellent choice for travel accommodation! The guest rooms are warmly and comfortably arranged, with soft and skin-friendly bedding, clean and tidy bathroom facilities, and the public areas are exquisitely decorated, giving a home-away-from-home experience. What’s more worth mentioning is the extremely convenient transportation here, close to bus stops and subway stations, making it easy to get to popular city attractions or business districts; the surrounding area is full of supermarkets and restaurants, so daily shopping and tasting local cuisine are hassle-free, maximizing convenience in life. Highly recommended for all travelers!

China has turned into a mini Zootopia, and I've got Zootopia brain 🐰🦊

Every winter when I go to Shanxi, whether from northern Shanxi to central Shanxi, then to southern Shanxi, I am always lucky to encounter heavy snow. When snowflakes fall on the dougong brackets and flying eaves, it feels like stepping into countless beautiful worlds of fantasy martial arts. I am sharing with you the 10 most stunning ancient snowy architectures I have encountered over the years on the land of Sanjin. Trust me, after seeing Shanxi in the snow, you will understand what true "surpassing countless worldly scenes" means. . 📸 Complete guide to the 10 most beautiful ancient snowy architectures Datong · Huayan Temple (P2/3) Visit: Experience the grandeur of the Liao and Jin royal temple; the main hall looks even more solemn in the snow Photo spots: Use a telephoto lens to capture the dougong brackets and the flying snow together; the red walls make a stunning ancient-style backdrop . Jincheng · Qinglian Temple (P4) Visit: Explore the seclusion of the "Literary Youth Lotus"; especially serene after snow, don’t forget to see the thousand-year-old ginkgo and mother-child cypress trees Photo spots: Aerial view looking down at the distant Shadowless Pagoda; the snowy flying eaves piercing the quiet sky create a world-class beauty . Taiyuan · Jin Temple (Jinci) (P5) Visit: The "best of Sanjin" in the snow is like a three-dimensional history book; focus on the Song Dynasty polychrome sculptures and the Nanlao Spring Photo spots: The color contrast between the Yue Archway and the snow, and the classic composition of the red pillars and yellow walls of Erquan Pavilion with white snow . Datong · Ancient City Wall (P6/7) Visit: Stroll on the ancient city wall in the snow, overlooking the entire ancient city covered in silver Photo spots: The majestic Qian Tower at the northwest corner and the grand Yongtai Gate look even more impressive in the vast snowy landscape . Taiyuan · Ancient County Town (P8/9) Visit: Although the scenic area is poorly managed, encountering snowflakes flying around the Spring Festival still lets you feel a strong festive atmosphere and local life Photo spots: In front of shops hung with red lanterns in the alleys, the warm light contrasts with the cold snow, instantly capturing the New Year vibe . Gaoping · Kaihua Temple (P10) Visit: Come for the Song Dynasty murals; the temple is quiet, and the falling snow makes it even more peaceful to observe Photo spots: Outside the temple mountain gate, look back at the ancient temple and distant mountains, creating the artistic conception of "an ancient temple hidden deep in the mountains" . Jinzhong · Pingyao Ancient City (P11) Visit: The large-scale ancient city of Shanxi merchants, with a somewhat commercial atmosphere Photo spots: Early morning first snow, use the bluestone pavement as a leading line to also capture the rustic charm under the flying snow . Gaoping · Dinglin Temple (P12) Visit: The mountain temple is quiet; after snow, the stone steps, ancient temple, and old trees complement each other beautifully Photo spots: The temple gate is very special; under the flying snow, it looks like a scene with black monkeys. The "top-notch" small courtyard is very unique . Xinzhou · Wutai Mountain White Pagoda (P13) Visit: The symbol of Wutai Mountain; the pure white pagoda looks even more sacred in the snow Photo spots: Flying snowflakes, fluttering prayer flags, and the white pagoda in the same frame create a strong storytelling sense . Jinzhong · Wang Family Courtyard (P14) Visit: The "Folk Palace Museum" looks magnificent in the snow; pay attention to the carving details Photo spots: From the high city wall or viewing platform at Hongmen Fort, use a wide-angle lens to shoot the majestic snowy architectural complex

Bringing your parents for a leisurely trip to Handan-Changzhi-Jincheng? Check this out! Carefully selected comfortable hotels in bustling areas with consecutive stays, no rushing or early mornings throughout the trip, deeply exploring the highlights of the three cities, and plenty of time to slowly enjoy each scenic spot. This relaxed itinerary is perfect for seniors—save it now~ -------------------- 🎉 Travel Route: Day 1: 📍 Private car pick-up from station/airport arrival in Handan, start the Chengyu Taiji journey, stay overnight in Handan~ 🌟 Upon arrival in Handan, experience the unique charm of the "City of Chengyu" and kick off the trip. Day 2: Nanxiangtang Grottoes — Xiangtangshan Grottoes — Northern Dynasties Archaeological Museum — Ye City Archaeological Museum 🔍 Explore grotto art, travel through Northern Dynasties history, and immerse yourself in the charm of archaeological culture. Day 3: Handan City Museum — Nuwa Palace 🏛️ Learn about the city’s history at Handan City Museum and experience the beauty of mythology and ancient architecture at Nuwa Palace. Day 4: Guanyin Hall — Yuanqi Temple — Tiantai Nunnery — Dayun Monastery — Chongqing Temple — Faxing Temple 🌆 Visit multiple ancient architectural treasures in one day, appreciating the unique charm and historical depth of different temples. Day 5: Gaoping Iron Buddha Temple — Jade Emperor Temple Colored Sculpture and Mural Museum — Qinglian Temple — Xiaonancun Erxian Temple 🎨 Deeply explore ancient buildings and art halls, admire exquisite colored sculptures and murals, and feel the power of faith. Day 6: 【Carrying full cultural memories】Return trip 🚗→→ Private car transfer to airport/station anytime 🎈 End a fulfilling journey, head home with beautiful memories, and look forward to the next adventure! -------------------- 🎒 Packing List: Handan-Changzhi-Jincheng December Light and Practical Edition 🧥 Clothing: Fleece-lined outdoor jacket + thermal underwear for windproof and cold resistance, bring fleece-lined pants for mountain low temperatures, comfortable sports shoes for walking ancient streets without fatigue. 📱 Accessories: Power bank + waterproof phone case (for Hukou Waterfall splash protection), umbrella for sun and rain to handle variable weather, folding trekking poles to assist climbing Taihang Mountains. 💊 Medicine: Motion sickness patches (essential for mountain roads), stomach medicine to prevent snack-related issues, warming patches and phone protection against low temperatures, band-aids for minor scrapes. 🪪 Documents: ID card for scanning scenic spot tickets, student ID for discounts, a small amount of cash for emergencies, electronic copies of documents stored on phone to prevent loss. -------------------- 🌈 Wishing uncles and aunties a journey full of happy memories in Handan-Changzhi-Jincheng, and a super enjoyable trip all the way!

Zhongping Erxian Palace Sixth batch of national protection units Originally built during the Tang Dynasty Tianyou period Rebuilt in the 12th year of the Jin Dynasty Dading era Renovated during the Yuan, Ming, and Qing Dynasties Existing buildings include the mountain gate, main hall, worship hall, with wing buildings and corridors on both sides A single courtyard The main hall is a Jin Dynasty structure The rest are from the Ming and Qing Dynasties 📍Location Cuiping Mountain South Foot, Zhongping Village, Beishi Town, Gaoping City, Jincheng 🎫Tickets Free 🚇Transportation Charter or self-driving recommended 📷Photo spot 🏷️Mountain Gate Opera Stage 1️⃣Qing Dynasty, the plaque on the mountain gate reads “Huishu Liufang” (Virtue and Fame Lasting), externally a mountain gate, internally an opera stage and makeup tower 2️⃣On the front eaves’ moon beam-style wooden structure, the carved patterns of flower teeth and sparrow replacements still show the outline of peony vines 3️⃣Remnants of Tang Dynasty stone lions remain on the east and west sides of the mountain gate 4️⃣The top of the mountain wall features a Hui-style five-tiered horse-head wall, commonly called “Five Mountains Facing Heaven,” symbolizing “Five Sons Passing the Imperial Exam” and “Stepping Upward,” serving fireproof, windproof, lightning protection, and decorative functions 🏷️Main Hall 1️⃣Jin Dynasty, under the front corridor are four chamfered square stone pillars, showing typical architectural features of the Song and Jin periods. The pillar capitals have five supports with double cantilevered dougong brackets, resembling inverted lotus flowers 2️⃣Inside the hall, beneath the deity statues, is a Jin Dynasty blue stone carved Sumeru pedestal altar, with a waist band inlaid with the “Stele of Renovation in the 12th Year of Jin Dading,” featuring reliefs of flying dragons and flowers 3️⃣On the east and west sides of the main hall, there is a Tang Dynasty stone lion each; the east side has a male lion stepping on an embroidered ball, the west side a female lion stepping on a cub 🏷️Stone Steles More than 20 steles remain, spanning the Jin, Yuan, Ming, and Qing Dynasties, recording renovation history and folk beliefs. On both sides of the main hall stand 4.5-meter-high Qing Dynasty steles; the west stele’s head is inscribed “Lingkuang Wang,” with “Blessed Fate and Good Fortune” on the back, the body carved with roaming dragons, auspicious clouds, and seasonal flowers; the east stele’s head reads “Zhenze Sheng,” with “All Virtues Return Together” on the back, and patterns of qin, chess, calligraphy, and painting on the stele’s edges

Yangtoushan Shennong Temple is an important site built to commemorate Emperor Yan Shennong, the ancestor of Chinese agricultural civilization. The exact date of the temple's establishment is unknown, but the Tang Dynasty stele inscription "Ze Zhou Gaoping Yangtoushan Qinghua Temple Stele" confirms that it existed at least as early as the Tang Dynasty. Yangtoushan is traditionally believed to be the core area where Emperor Yan Shennong tasted hundreds of herbs, cultivated grains, and pioneered agricultural civilization. The temple's location is precisely where his activity traces are concentrated. Every year on the eighth day of the fourth lunar month, a grand public memorial temple fair is held locally to continue the remembrance of Emperor Yan. Inside the temple is a Vajra Relic Multi-Treasure Buddhist Pagoda, about six meters tall, an octagonal three-tier brick pagoda with a square stone base. The first tier of the pagoda body is decorated with numerous wood-like structures, while the upper two tiers are simple and undecorated. On the second tier is embedded a stone inscribed: "Vajra Relic Multi-Treasure Buddhist Pagoda."

The Yan Emperor Mausoleum is commonly known as the "Imperial Tomb." The mausoleum is divided into upper and lower courtyards. The lower courtyard has a theater stage facing south to north. Below the stage is a circular path; following the path and climbing the steps leads into the mausoleum. The east and west sides have wing rooms. The upper courtyard has three gates: a main gate and two side gates. Each side gate has a bell tower with an ancient bell. The main hall in the upper courtyard is five bays wide and six purlins deep, with a projecting front and a xieshan-style layered roof. The glazed ridge on the roof’s center is inscribed on the front with "Yan Emperor Shennong Hall" and on the back with "The Sixth Year of Jiajing of the Ming Dynasty" (1527). Inside the hall, the rear wall has a platform with a heated cabinet; the central cabinet houses a statue of the Yan Emperor, flanked by statues of his consorts. The stone slabs in front of the platform feature intricate carvings. The original murals on the east and west walls were destroyed during the Cultural Revolution. On both sides in front of the main hall stood ancient cypress trees, each with a root circumference of 6.2 meters, but they were cut down in the 1950s. In the east wing room of the Yan Emperor Mausoleum, there is a stone stele inscribed with the three large characters "Yan Emperor Mausoleum," erected in the 39th year of the Wanli reign of the Ming Dynasty, now over 390 years old. Throughout history, officials have been sent to perform official sacrifices. In the ninth year of the Dade era of Yuan Chengzong (1305), officials were also dispatched to conduct sacrifices, and an edict was issued prohibiting woodcutting. Every year on the eighth day of the fourth lunar month, a grand sacrificial ceremony is held, and twenty days before this date, the community leaders are welcomed to plan the event, which is of great scale.

Qinghua Temple in Tuandong covers an area of about 2,275 square meters and dates from the Yuan to Qing dynasties. Originally built during the Tang dynasty, it was renovated during the Yuan and Ming periods. It served as the lower temple of Qinghua Temple on Yangtoushan in Shennong Town, also known as Lower Qinghua Temple. The temple site slopes from north to south, with the main axis lined by the mountain gate, Hall of Heavenly Kings, Hall of the Tathagata, Hall of Three Buddhas, and Hall of Seven Buddhas. The temple preserves seven stone inscriptions. Qinghua Temple in Tuandong is a well-preserved ancient architectural complex with high historical value and is an important physical resource for the study of ancient architectural history. It is a nationally protected key cultural relic.

The Yandi Mausoleum faces south and covers an area of about 1,523 square meters. The exact date of its establishment is unknown, but according to the inscriptions inside the temple, it was repaired in the 11th year of the Kangxi reign of the Qing Dynasty (1672). The existing Yandi Mausoleum in Tuanxi consists of two courtyards. Along the central axis are a stage, the Yandi Hall, and the mausoleum, with the Weier Hall and Pei Hall on both sides. The Yandi Hall is three bays wide and eight purlins deep, with a single-eave hanging gable roof, glazed ridge decorations, and dougong brackets featuring five layers of double eaves and 450-degree inclined beams, characteristic of Yuan Dynasty architecture. The other ancient buildings are in the Qing Dynasty architectural style. The temple currently houses one Qing Dynasty repair inscription and one donation inscription from the Republic of China period. On the east and west sides of the temple, there are altars dedicated to Xuanwu, Xian Can, Gao Zha, Guan Di, Ma Wang, and Niu Wang, arranged symmetrically on both sides. The grand scale of the buildings makes it one of the oldest preserved halls dedicated to Yandi in the Gaoping area. The Yandi Mausoleum primarily worships Yandi as the main deity, with multiple deities enshrined in one temple, which not only highlights Yandi as the foremost deity of China but also meets various folk worship needs. It is a key cultural relic protection unit in Shanxi Province.

Zhongmiao is named after the ancient Zhongmiao Temple of Emperor Yan, the only nationally protected temple of its kind in China, located within the village. There are currently 44 ancient buildings from the Ming and Qing dynasties preserved, with the core building, the beamless hall of the Emperor Yan Zhongmiao Temple, dating back to the Yuan dynasty. Its caisson ceiling structure holds unique architectural value. Since 2024, the village has been implementing residential environment improvements, demolishing over 470 dilapidated houses to free up more than 40,000 square meters of space, and completing protective repairs on 36 Ming and Qing courtyards. The "Eight Workshops and Thirty-Six Courtyards" cultural tourism project is planned, featuring traditional craft experiences such as incense making, brewing, vinegar production, and oil pressing. The first phase has completed the restoration of 22 ancient courtyards. The village’s Shennong stilt-walking performance, with a history of over a thousand years, has developed into two performance systems: cultural stilts and martial stilts. During the May Day holiday in 2025, the village aims to achieve a breakthrough in cultural tourism revenue through the integration of intangible cultural heritage, cuisine, and performances. It is listed as one of the fifth batch of China’s traditional villages.

Guzhongmiao, also known as the Yan Emperor Temple, is located in Guzhongmiao Village, Shennong Town, 10.5 kilometers northeast of Gaoping City. The exact date of the temple's establishment is unknown. It faces south and covers an area of about 12,000 square meters. The temple is built along the mountain terrain and has a grand architectural scale. It is divided into upper and lower courtyards. The lower courtyard includes buildings such as a stage, watchtower, and incense kitchen. The upper courtyard contains the mountain gate, Crown Prince Hall, main hall (Ancestor Hall), side halls (Guan Yu Hall, Former Silkworm Hall, Medicine King Hall, Lady Hall), and wing rooms. On May 25, 2006, it was announced by the State Council as the sixth batch of National Key Cultural Relics Protection Units. The lower courtyard of Guzhongmiao has an east-facing gate with a large inscription of "Guzhongmiao" above the arched doorway; the gate is newly built. The temple buildings are constructed sequentially along the central axis following the terrain. The ancient stage originally facing south in the southern courtyard has been destroyed; the existing stage was built in the 1970s. To the west of the stage is the meditation room, and to the east is the watchtower. The mountain gate in the upper courtyard is located south of the central axis, with three bays wide and five purlins deep. A partition wall is built at the position of the front eave’s golden purlin in the middle bay, with a plank door forming a front porch layout. The rear eave has three open bays with a single-eave hanging gable roof covered with dry tiles and a glazed ridge. The mountain gate is three bays wide, with two stone pillars standing at the front and rear eaves of the middle bay. Walls support the two gables and the front golden purlin. Four floral column capitals are applied on the flat beams of the front and rear eaves, shaped as a combination of one dou and two sheng with hemp leaf patterns. The hemp leaf heads connect four main beams and single-step beams, intersecting in a cross pattern inside the large dou to support the purlin beams. The bases of the front eave columns are carved on all four sides with unicorns and eight fierce beast heads, symbolizing guarding the temple gate. Above the doorway on the west side of the mountain gate is a Ming Dynasty stone plaque inscribed with "Yan Emperor Temple," dated to the second year of the Tianqi reign (1622), over 400 years ago. The inscription is vigorous and very prominent. Usually, the plaque would be placed directly above the temple gate, but the four characters "Yan Emperor Temple" are on the west doorway. A stele inside the temple from the Daoguang period of the Qing Dynasty explains this: the original old temple gate was below the "Yan Emperor Temple" plaque, but locals thought the gate was misplaced, so during the last renovation, it was sealed with bricks and the gate was relocated to its current position, forming today’s layout. The existing Crown Prince Hall, a Yuan Dynasty building, has a hipped roof. Inside, it features a unique beamless hall structure formed by an octagonal caisson ceiling composed of two layers of paving, creating a stunning lotus-like dome. This architectural style is distinctive among surviving Yuan Dynasty buildings and is a masterpiece of beamless halls from that era, with extremely high artistic value. The stone column bases of the mountain gate from the Qing Dynasty are exquisitely carved, and the wooden carvings such as the sparrow braces are vivid. The carved patterns mainly depict figures, mythology, and opera stories, interspersed with other auspicious motifs like seasonal flowers and symbols of fortune, prosperity, longevity, and happiness. In traditional sacrificial architecture, these auspicious patterns also reflect the residents’ hopes and aspirations for a better life. The glazed roof decorations, ridge ornaments, and other features of Guzhongmiao’s buildings possess unique artistic vitality both in their conception and form, reflecting the wisdom of the Chinese nation and the superb craftsmanship of Chinese folk artisans. The Crown Prince Hall uses the large cypress timber system commonly adopted in the Yuan Dynasty. The column height does not exceed the bay width, and the ratio of column height to paving height conforms to Yuan architectural characteristics. The beam structure of the Crown Prince Hall is complex and exquisitely crafted, holding great significance for studying Yuan Dynasty construction techniques and architectural art development. Guzhongmiao preserves the essence of Yuan, Ming, and Qing Dynasty architecture. Its glazed tile work, brickwork, large timber construction, and painted decorations reflect the scientific and technological levels of each period. It is an important link and physical relic of local scientific and technological development, providing tangible evidence for studying the evolution of various engineering and construction techniques. It is a rare site for scientific research and a National Key Cultural Relics Protection Unit.

Erlang Temple is located on a hill north of Wangbao Village, Sizhuang Town, 8.5 kilometers northwest of Gaoping city center. It is a relatively well-preserved Taoist architectural complex. The temple houses a total of 14 buildings from the Ming and Qing dynasties and one building from the Jin dynasty. The opera stage is situated at the southernmost end of Erlang Temple, with the south room and main gate symmetrically placed on the east and west sides of the stage. Erlang Temple faces south and is a single-courtyard layout. Compared to other temples, Erlang Temple is relatively small and neatly arranged, covering about 1,785 square meters. From south to north along the central axis are the opera stage, offering hall, and main hall, with side halls and corner towers aligned in a row. On each side of the main hall are three side halls, and the courtyard has ten corridors on both the east and west sides. At the northern end of the corridors, symmetrical auxiliary halls are built on both sides. The main hall is three bays wide and six purlins deep; the offering hall is three bays wide and four purlins deep, both structures dating back to the Ming dynasty. In the center of the offering hall is a stone carved offering table from the ninth year of the Wanli reign (1581), exquisitely carved. It is a nationally protected key cultural relic.

Bofang Ancient Village was formerly known as Heifang Village, named after the Zhao army's granary at Chewang Valley during the Battle of Changping in the Warring States period. During the Yongjia era of the Western Jin Dynasty, it became the territory of the Changping Bo. In the early Qing Dynasty, it was renamed after Bi Zhenji, who was honored as "Fang Bo." The village currently houses the nationally protected cultural relic Xianweng Temple, whose main hall features Yuan Dynasty architectural style, with Ming Dynasty glazed components and murals depicting the legend of Zhang Guolao. On the east and west sides are murals of Emperor Xuanzong of Tang’s Mount Tai Fengshan ceremony. The former residence of Bi Zhenji from the Qing Dynasty retains the seven-wrap head four-courtyard layout. The village also has ancient architectural remains such as the Confucian Temple and the Guan Di Temple. Bi Zhenji once served as the Provincial Governor of Huguang in the early Qing Dynasty and authored the "Northwest Anthology," which is preserved in the National Library. There are several exquisite and well-preserved ancient architectural courtyards in the village, including Bi Zhenji’s former residence, the Confucian Temple, Guan Di Temple, North Buddha Hall, and Patriarch Pavilion. Among them, Bi Zhenji’s former residence, located in the northern part of the village and built in the mid to early Qing Dynasty, is another landmark building in Bofang Village besides Xianweng Temple. The courtyard owner, Bi Zhenji, served as the Provincial Governor of Huguang during the Shunzhi period of the Qing Dynasty, reaching the rank of second grade official. According to village elders, Bi Zhenji was an honest official who, despite many years in office, "ate simple food and wore no replacement clothes" and "on the day of returning home, had nothing but one servant and one horse." Whether Bi Gong was truly so frugal in eating and dressing is uncertain, but compared to many official and wealthy residences the reporter has seen, the Bi family residence, though relatively large, is indeed not luxurious: the courtyards are mostly small but well laid out, the wood and brick carvings on the houses are simple yet exquisite, and the entire courtyard appears orderly and elegant rather than grandiose. In addition, the Confucian Temple is another representative ancient building in the village. The Confucian Temple was originally built in the Yuan Dynasty and rebuilt in the Qing Dynasty. It faces south with three bays wide, covering about 1,000 square meters, and currently retains the main hall, duo hall, and side hall. Since it now serves as the village committee office, the entire building is painted red. At first glance, it does not seem particularly special, but upon closer inspection, beneath the red paint, exquisite stone and wood carvings are clearly visible, giving a very impressive feeling. It is a famous Chinese historical and cultural village and part of the third batch of China’s traditional villages.

The Sanguan Temple complex includes the Patriarch Pavilion, Machine God Temple, and Sanguan Temple, forming a unique architectural group with distinctive layout and style. The mountain gate has five bays with eaves and dates back to the Ming and Qing dynasties. On the east and west sides are two-story pavilions resembling bell and drum towers.‌ Inside the mountain gate, under the eaves, stand two important steles: one from the 21st year of Qianlong (1756) and another commemorating repairs in the 46th year of Wanli (1618).‌ The main hall faces south with three bays, featuring a suspended gable roof and four-layer bracket sets. The wood carvings are simple and rustic. On both sides of the hall are east and west wing towers taller than the main hall, accessible by stairs to the second floor.‌ The entire complex is built along the mountain terrain, reflecting architectural wisdom since the Ming dynasty.

　　Zongsheng Xianweng Temple, also known as Gaoping Xianweng Temple, Bofang Xianweng Temple, or Chunyang Palace, is located in Bofang Village, Sizhuang Town, Gaoping City, Jincheng, Shanxi Province. It is a Taoist temple with a long history and profound cultural heritage. The temple covers an area of about 2,122 square meters, faces south, and has a compact layout. The design of the single courtyard entrance makes the entire temple appear solemn and harmonious. The main buildings inside the temple are arranged along the central axis from south to north in the following order: the mountain gate, Jade Emperor Tower, corridor, offering hall, and Xianweng Hall. On the east and west sides, there are auxiliary buildings such as side halls and annex halls. Xianweng Hall, as the main building of the temple, has five bays in width and six purlins in depth, with a single-eave hanging gable roof, presenting a magnificent grandeur. Inside the hall is a statue of Zhang Guolao, one of the Eight Immortals, respectfully called "Xianweng," which is also the origin of the temple's name. 　　In addition to the artistic value of the architecture itself, the murals inside Zongsheng Xianweng Temple are also a major highlight. The murals on the east and west walls of the main hall cover a total area of 143 square meters. The content mainly includes Taoist Chaoyuan paintings and scenes of Emperor Xuanzong of Tang performing the Mount Tai Fengshan ceremony. The colors are bright, the lines are smooth, and the figures are vivid, possessing high artistic and historical research value. Especially the "Taoist Chaoyuan Painting" on the north wall vividly depicts Zhang Guolao emerging from the mountains to cultivate Taoism and traveling the world, which is truly breathtaking. In addition, the temple also preserves a large number of steles and cultural relics. These steles record in detail the temple’s repairs and historical changes, providing valuable materials for future generations to understand and study Zongsheng Xianweng Temple. It is a nationally protected key cultural relic site.

Jiaxiang Temple is a group of buildings facing south, covering an area of nearly 1,500 square meters. The existing layout consists of two courtyards, with the Heavenly King Hall, Pilu Hall, and Mahavira Hall arranged in sequence along the central axis. On both sides are the East and West Side Rooms, Guanyin Hall, Dizang Hall, West Wing Room, West Meditation Room, Dormitory, and Wuguan Hall. Pilu Hall dates back to the Jin Dynasty, Mahavira Hall to the Yuan Dynasty, and Heavenly King Hall to the Ming Dynasty, while the rest are Qing Dynasty structures. The Mahavira Hall has a side courtyard to the east, with the existing East and West Side Rooms, Wing Rooms, and Sutra Library. The mountain gate is located at the southeast end of Jiaxiang Temple, with a screen wall on the north side, and an ancient well, well pavilion, and stele pavilion on the east side. The ancient well is the site of the original Dragon King Temple. Associated cultural relics include two stone sutra pillars from the third year of Guangshun of the Later Zhou in the Five Dynasties period (953), one stone temple plaque from the fourth year of Chongzhen of the Ming Dynasty (1631), three ancient cypress trees, and three steles from the 41st year of Wanli of the Ming Dynasty (1613), the 34th year of Qianlong of the Qing Dynasty (1769), and the 56th year of Qianlong of the Qing Dynasty (1791). Mural paintings remain on the inner walls of Pilu Hall. The murals on the bracket eyes of Pilu Hall and Mahavira Hall, as well as the colorful paintings on the beams and large wooden components, are vivid. It is a nationally protected key cultural relic site.

Kaihua Temple was originally named Qingliang Ruolan and is located on the hillside of Shelishan in Chenqu Town, 17 kilometers northwest of Gaoping City, Jincheng, Shanxi Province. It was founded in the second year of Wuping in the Northern Qi Dynasty (571 AD), rebuilt during the Longji and Dashun periods of the late Tang Dynasty (889–891 AD), renamed Kaihua Chan Monastery in the eighth year of the Tiansheng period of the Song Dynasty (1030 AD), and the Guanyin Pavilion was built in the first year of the Huangtong period of the Jin Dynasty (1141 AD). It has undergone multiple repairs throughout the Yuan, Ming, and Qing Dynasties. Kaihua Temple faces south and consists of two courtyards, including the Great Compassion Pavilion (the Shanmen gate), Bell and Drum Towers, Mahavira Hall, Dharma Lecture Hall, Guest Hall, Vimalakirti Pure Room, Guanyin Pavilion, east and west side halls, and two wings. The Great Compassion Pavilion is a Ming Dynasty structure, the Mahavira Hall dates back to the Song Dynasty, the Guanyin Pavilion at the east corner is a Jin Dynasty relic, the rear east side hall and east and west corner towers are from the Yuan Dynasty, and the rest are from the Ming and Qing Dynasties. The beams of the Mahavira Hall retain Song Dynasty paintings, and the four walls inside the hall preserve 88.2 square meters of murals painted in the third year of Shaosheng of the Northern Song Dynasty (1096 AD) by the artist Guo Fa. The murals depict Buddhist stories such as the Avatamsaka Sutra and the Sutra of Repaying Kindness, blending scenes of Song Dynasty social life. The temple is also home to cultural relics such as the Sarira Stone Pagoda of the Great Master Dasi from the third year of Tongguang of the Later Tang in the Five Dynasties period (925 AD) and the "Zezhou Shelishan Kaihua Merit Stele" from the fourth year of Daguan of the Northern Song Dynasty (1110 AD). It is a nationally protected key cultural heritage site.

Qingmeng Temple is located 12.5 kilometers northeast of Gaoping city center, 100 meters east of Tielu Village, Chenqu Town. According to inscriptions, Qingmeng Temple was founded by Daoist priest Ji Zhizhen in the second year of the Yuan Zhongtong era (1261). It was renovated in the 40th year of the Ming Wanli era (1612), the 22nd year of the Qing Jiaqing era (1817), and the 4th year of the Daoguang era (1824). The current middle hall is a Yuan dynasty structure, the main hall was rebuilt in the Ming dynasty, and the rest are Qing dynasty buildings. Facing south with its back to the north, it is a two-courtyard siheyuan with a width of 35 meters east to west and a length of 68 meters north to south, covering an area of 2,380 square meters. Along the central axis are the mountain gate, middle hall, worship pavilion, and main hall, with bell and drum towers, side halls, wing rooms, and ear halls on the left and right. The main building, the middle hall also known as the Sanqing Hall, was established in the second year of the Yuan Zhongtong era (1261). It has a stone foundation 0.40 meters high, three bays wide (12.70 meters) and three bays deep (12.90 meters), with a square floor plan, single-eave hip-and-gable roof, gray barrel and flat tiles, and glazed ridge decorations. The beam frame consists of six sets of beams and five purlins, with three columns supporting the front eaves. The beam frame features interlocking brackets. The front eaves columns have four layers of brackets with single cantilevers, and the spaces between have four layers of single brackets. The column bases rest on plain basin-shaped pedestals. The main bay has wooden panel doors, and the side bays have straight lattice windows. The interior walls are fully covered with murals depicting Daoist stories in a comic-strip style. It is a nationally protected key cultural relic.

Jianbei Village is adjacent to Jiannan Village, with a rich cultural heritage and numerous religious cultural relics. Ancient buildings from the Song, Yuan, Ming, and Qing dynasties are all preserved. There are many ancient temples and courtyards, two-story siheyuan compounds, ancestral halls, steles, and prehistoric cultural sites. Key cultural relic protection units in Shanxi Province include the Jianbei Confucian Temple and the San'guan Zhenwu Temple founded in the Ming Dynasty; immovable cultural relics in Gaoping include the Yaowang Temple, Baiyi Pavilion, as well as the Zhang Family Courtyard at No. 5 Jianbei Residence and the Chen Family Courtyard at No. 6 Ancient Residence in Jianbei. It is listed as the fourth batch of China's traditional villages.

Jiannan Ancient Village's history can be traced back to more than 1,500 years ago during the Northern Wei period. The existing Thousand Buddha Statue Stele in the village is an important physical evidence. The inscription records that the stele was built in the 20th year of the Taihe era of Northern Wei (496 AD) with donations from local families such as Guo, Si, Qin, and Shen, indicating that the village had already taken shape at that time. During the Tang Dynasty, Jianning Ancient Village (the area where Jiannan Village is located) had developed into a sizable settlement and established the "Gaohua Prefecture" (Zhechong Prefecture), implementing a military-agricultural system. Throughout the Song, Jin, Yuan, Ming, and Qing dynasties, the village continued to develop, forming an ancient town layout with a "cross"-shaped street framework, where temples and residences were harmoniously distributed. The village houses the Jidu Temple (a national key cultural relic protection unit), whose history dates back to before the Song Dynasty and served as an important local sacrificial site; the Thousand Buddha Statue Stele, a Buddhist statue stele built during the Northern Wei period to pray for the emperor’s blessings, holds great historical and artistic value; the Zhiji Temple (a municipal key cultural relic protection unit), Jiannan Confucian Temple, and well-preserved Ming and Qing ancient streets, pavilions, courtyards, and ancestral halls together form the unique style of Jiannan Ancient Town. It is listed as the fifth batch of China’s traditional villages.

Erxianggong is a Taoist temple dedicated to the worship of the two immortals Chonghui and Chongshu. It was originally built during the Tianyou period of the Tang Dynasty (904-970), rebuilt in the 12th year of the Dading era of the Jin Dynasty (1172), and underwent multiple renovations during the Yuan, Ming, and Qing dynasties. The existing main hall is a Jin Dynasty relic, while the rest of the buildings date from the Ming and Qing periods. Erxianggong is a single-entry courtyard facing south, covering an area of 2,040 square meters. Along the central axis are the mountain gate, main hall, and worship hall, with wing buildings and corridors on both sides. The main hall has three bays in width and six purlins in depth, with a single-eave Xieshan roof. The beam structure uses a four-purlin beam with front brackets and a three-column structure for the eaves. The front eave column heads are crafted with a five-purlin double lower angled bracket system, reflecting the architectural style of the Jin and Yuan dynasties. Inside the hall, the bluestone Sumeru pedestal altar features an inscription tablet dated to the 12th year of the Dading era, providing evidence for dating the building. There are 21 surviving Ming and Qing steles recording renovation history and a list of donors from 62 villages, which are of great value for studying the architectural techniques, folk beliefs, and folk culture of southeastern Shanxi. It is a nationally protected key cultural relic.