Eastern Aesthetics | The Stunning Lesser-Known Gardens of Suzhou
Mudu Ancient Town is home to numerous private gardens, among which 'Yan's Garden' stands out as the 'cream of the crop' in Jiangnan gardens. This garden is located by Wangjia Bridge in Mudu Town, facing Xiangxi River, backed by Lingyan Mountain, and is the most famous and artistically accomplished garden in the ancient town.
🎫 Ticket Price: Joint ticket 78r
⏰ Opening Hours: 08:30-16:30
📍 Address: No. 188, Shantang Street, Mudu Town, Wuzhong District, Suzhou City, Jiangsu Province
🚗 Transportation Strategy
🚌 Bus: Take bus 69 to Mudu Yan's Garden Station, and walk to the destination after getting off.
🚇 Subway: Get off at Lingyan Mountain Station on Line 5, exit from Entrance No. 1
🚘 Self-driving: Navigate to Yan's Garden Parking Lot, 6r/hour
Yan's Garden covers an area of 16 acres, with a five-section main building along the central path, namely the entrance hall, Yibin Hall, Shangxian Hall, Mingshi Tower, and Tiaonong Tower. The entire garden consists of four distinct scenic areas representing spring, summer, autumn, and winter. Upon entering the main gate, the first thing that catches the eye is an ancient and elegant building, which is the entrance hall of Yan's Garden. Embedded above the entrance hall is a plaque inscribed with the four characters 'Yan's Garden' written by Weng Tonghe, a Grand Scholar of the late Qing Dynasty, and his son Weng Tongyi, which shines brilliantly in the sunlight. Inside the entrance hall, another plaque hangs with the two characters 'Xian Yuan' written by the famous calligrapher Zhao Puchu, hence Yan's Garden is also known as 'Xian Yuan'.
Passing through the entrance hall is the Yibin Hall. This is the place for receiving guests, with a screen painting displaying the layout of Yan's Garden, which is indeed vast, with pavilions and terraces scattered in an orderly fashion. A delicate sedan chair is also placed in the hall. Named the Begonia Sedan Chair, it is assembled from six hundred and fifty pieces of ginkgo wood carved panels, all connected by wooden tenons without any metal components. The body of the chair is carved with auspicious patterns, such as 'Hundred Children Welcoming Spring', 'Five Sons Winning the Competition', 'Qilin Bringing Children', etc., while the glass is painted with auspicious images like 'Carps Leaping Over the Dragon Gate', 'Cranes and Deers in Spring', etc. It is unlikely that the last two owners of Yan's Garden had the status to use such an eight-bearer large sedan chair, which was probably used by the first owner Shen Deqian and his wife.
Passing through a door next to Shangxian Hall and walking through a long and quiet alley, one enters the spring scenic area on the left, presumably named for its primary planting of spring flowers. This area features classical buildings such as Qingyin Residence, Jingzhong View, and Youyu Study, with flower windows, long corridors, and pavilions, simply furnished, and adorned with traditional Chinese landscape paintings on the walls. In the courtyard, there is an ancient magnolia tree, one of the few remnants of Xian Yuan. Although it is not spring and the magnolia tree is bare, its ancient splendor is not evident.
Youyu Study is a set of independent courtyards, secluded in a corner, very quiet, indeed a place for concentrated study and retreat. According to the map, Danxiang Pavilion, Zhicui Pavilion, and Jinyin Mountain House are distributed in a triangle with a group of rockeries in the middle. When actually walking around, one often ends up circling back. The pavilions are not very large, but are elegantly arranged, making them suitable for enjoying the spring flowers. Yanqing Pavilion is located north of Danxiang Pavilion, not far from the pond, and is not particularly outstanding among a group of buildings. Yuyu Pavilion is next to the pond, and although the garden on the east route is not large, one can truly appreciate the charm of fish while in the pavilion.
Yan's Garden, through the efforts of three generations of owners over more than two hundred years, whether through the vicissitudes of time or the accumulation of culture, has been endowed with a cultural atmosphere and the elegance of a famous garden.