Featured Events in Los Angeles in February 2024 (May Updated)

This exhibition examines the ways painting manuals published in the 17th and 18th centuries used innovative printing methods to introduce the techniques, history, and appreciation of painting to widening audiences in early modern China. Gain insight into early art education in China through painting manuals originally published in the 17th and 18th centuries. “Paintings in Print: Studying Art in China” examines the ways these manuals used innovative printing methods to introduce the techniques, history, and appreciation of painting to widening audiences in early modern China. In the 16th century, Chinese publishers began creating educational art manuals that were filled with colorful prints of paintings and texts on the history and methods of brush arts. The manuals were unprecedented because they taught aspiring painters and collectors from the growing merchant class how to create and appreciate literati art—a combination of painting, calligraphy, and poetry long practiced by elite scholars. Drawing from The Huntington’s collection, “Paintings in Print” will focus on two books: The Mustard Seed Garden Manual of Painting and the Ten Bamboo Studio Collection of Calligraphy and Painting. The books will be displayed together, in their entirety, for the first time in the United States. The texts will be presented in their original form as well as digitized to allow visitors to explore the materials more closely. The books will be complemented with paintings—including recent donations from the Berman Foundation—that exemplify how artists studied manuals like these to learn the basics of their art.

For the first time in her practice, Judy Baca transforms a museum into a studio. She and artists from the Social and Public Art Resource Center expand into the 21st century, painting two sections of the mural at LACMA. LACMA’s exhibition presents murals from the 1960s depicting the Chicano Movement, Watts Renaissance, and archival materials that have never been exhibited, revealing Baca’s process and innovations to muralism. Baca conceived (1975) as a monument to the people of California, featuring moments from prehistoric times to the 1950s. She collaborated with 400 youth and community members to design and paint the mural on the walls of the L.A. River to tell history from the perspective of those erased from it. After the artists complete the paintings at LACMA, they will add them to , creating a mile of visual history.

The American Museum of Ceramic Art is proud to present REVEAL: Recent Acquisitions, showcasing a remarkable variety of ceramics that AMOCA has recently acquired for its permanent collection. AMOCA’s permanent collection encompasses 13,000+ ceramic objects that date from Pre-Columbian to contemporary times. The collection has been acquired through the generosity of many individuals who wish to share their gifts with the public. Within the scope of this exhibition, AMOCA will showcase a range of previously unseen works from artists such as Clayton Bailey, Mette Maya, Ron Nagle, David Furman, and many more. This diverse grouping of forms, styles, and techniques highlights a range of art movements in the ceramic community.

Featuring more than 100 remarkable works from Nigeria, Benin, Brazil, Cuba, and the United States, this exhibition highlights pan-Yoruba theological principles as expressed through a variety of art forms including sculpture, beadwork, and ritual costume design. Juxtaposing material representations of West African Òrìṣàs (divinities) with those of diasporic Afro-Brazilian Orixás and Afro-Cuban Orichas, the exhibition will illustrate key conceptual and aesthetic continuities across the Yoruba Atlantic as well as regional innovations. Artist and abolitionist Patrisse Cullors will contribute a live performance and an installation titled Free Us, a multimedia work that unveils the resilience of these pan-Atlantic Yoruba divinities.

Aparicio’s materially inventive practice is informed by the Salvadoran communities in Los Angeles in which he was raised, decolonialist discourse, and an approach to ecological justice as a form of social justice. The foundation of Aparicio’s practice is “total material non-neutrality,” which the artist initially realized through his Caucho (Rubber) series (2016–ongoing). MOCA Focus: Eddie Rodolfo Aparicio showcases a range of Caucho works, in which Aparicio casts the trunks of Los Angeles trees, frequently the ficus, slated for removal in rubber—the internal fluids of the Castilla elastica, a species native to El Salvador. The resulting impressions are textured with residual bark, exhaust particles, and graffiti marks. The casts couple with collages of found clothing and ephemera from the Pico-Union, Highland Park, and Westlake neighborhoods of Los Angeles, and are embellished with painted references to the presence and expression of the Central American diaspora in popular culture and the built environment. In this body of work, Aparicio invokes rubber’s history as a vital pre-Hispanic Indigenous technology and its status as a material of imperialist trade, giving shape to immigrant communities’ connections to land and place. At the core of Aparicio’s practice is a commitment to the cultural and scientific knowledge of often marginalized and even vilified Central American immigrant communities, making MOCA’s location in downtown Los Angeles, the heart of the Salvadoran diaspora, particularly resonant.

MOCA’s presentation of Paul Pfeiffer: Prologue to the Story of the Birth of Freedom will be accompanied by a full-color monographic catalogue, co-published by the museum and MACK Books, with new scholarship and critical readings of the artist’s work that will offer a much-needed overview of Pfeiffer’s impact and influence to date. The catalogue will be available February 2024 and will include documentation of Pfeiffer’s installation at the Geffen at MOCA.

explores how the media spectacle in which we live had origins in World War I and the burgeoning mediascape of posters, photography, cinema, illustrated newspapers, and ephemera that made it the first global media war. How did the media and artists imagine a war encompassing the entire world? Combatants included forces from Australia, Canada, Asia, the Middle East, and Africa, as well as racially and ethnically diverse American and Indigenous peoples including Māori, First Peoples, and Choctaw “code talkers.” will consider how the media mobilized the masses, imagined the battlefield, facilitated the global war, and contained the aftermath. With some 200 objects by artists, war photographers, and filmmakers as well as soldiers from across several continents, will explore the intermingling of mass media and the artistic imagination.

is the first exhibition in North America to explore the groundbreaking shifts made by a generation of artists in the decades following the Korean War (1950–53). Spanning the 1960s and ’70s, the exhibition offers unprecedented insight into a moment in which artists took a stance against what they saw as a limiting approach to artistic medium, and instead embraced innovative—and often provocative—artistic processes, founded on ideals of experimentation, a clear breaking with the past, and a critical, self-reflective lens. Featuring nearly eighty works, contains some of South Korea’s earliest and most emblematic explorations into assemblage, installation, happenings, and conceptual artmaking, as well as works that contain the use of industrial material and new technologies. Together they capture a pioneering and lesser-known moment in Korea’s cultural history, one in which artistic will and the pursuit of experimentation were transformed into tools for grappling with a newly formed republic, contending with its authoritarian regime, rapid industrialization, and an influx of foreign culture.

This exhibition surveys over five hundred years of intaglio prints drawn from the extensive collections of the UCLA Grunwald Center for the Graphic Arts at the Hammer Museum. The intaglio medium comprises engravings, etchings, drypoint, aquatint, and mezzotint, all of which involve the use of a copper or zinc plate which is incised, inked, and printed. These materials and techniques have remained more or less the same since the fifteenth century, with artists employing similar methods to convey a wide range of subjects and styles, from the intricate religious and mythological scenes of the 1500s to the formal experimentation of the 21st century. includes more than eighty prints, organized chronologically, with important examples of Renaissance engraving by Albrecht Dürer and Giorgio Ghisi; major etchings of the Dutch baroque period by Rembrandt van Rijn; nineteenth- and twentieth-century prints by Stanley William Hayter, Ernst Ludwig Kirchner, Käthe Kollwitz, and Pablo Picasso; and contemporary etchings by Mark Bradford, Vija Celmins, Nicole Eisenman, Toba Khedoori, and Martin Puryear.

The act of coming together to partake of a meal is a practice shared by all cultures. Food defines us—we are what we eat. Dining with the Sultan is the first exhibition to present Islamic art in the context of its associated culinary traditions. It will include some 250 works of art related to the sourcing, preparation, serving, and consumption of food, from 30 public and private collections in the U.S., Europe, and the Middle East—objects of undisputed quality and appeal, viewed through the universal lens of fine dining. The exhibition will stimulate not only the eyes but also the appetite, reminding visitors of the communal pleasure of food—both its taste and its presentation. It will provide much-needed information on the enormous class of luxury objects that may be broadly defined as tableware and demonstrate how gustatory discernment was a fundamental activity at the great Islamic courts.

Vamba Bility is a multidisciplinary artist whose work echoes the diasporic experience. Bility perceives the intimacy of this contested space of diaspora as a blur. In his hands, this blurred sensibility becomes a fluid movement that draws on various material histories. He expresses the reverberating motions of his existence by leaning on and weaving together mediums and materials like painting, textiles, found objects, and sound. A cracked calabash gets sewn together. A torn canvas gets stitched as a salve. A painting is propped up by a brick or two. All of this is a form of mark making that structures the landscape of diaspora as a material residue of atmosphere, of feeling, of process. Bility threads this through a shared poesis—a bringing forth, a revelation—that sketches out an architecture of what it means to be. At the Hammer Museum, Bility presents an array of objects, staging an aesthetic encounter that breathes life into these self-referential sketches of diasporic living. Yet a question persists for audiences: what is unfolding in this space, in this moment? He structures the exhibition after the bustling bazaar—a dynamic space teeming with systems of exchange that produce, use, and reuse commercial materials like spools of yarn, bags of kola nuts, planks of wood, metal chains, and swaths of canvas. The resulting sculptures and paintings engage in a dialogue with the material concerns of several avant-garde practices of the 1960s and 1970s, including the Italian arte povera movement and the West African sensibilities and strategies of Vohou-Vohou and récupération. To varying degrees, these ways of object making intentionally flatten the distinctions between local, imported, industrial, and natural materials, while also expanding the perceptual and sensual dimensions of experience beyond simply vision. The horizontal ethic embedded in Bility’s mark-making process informs how we grapple with painting traditions, sculptural forms, and the cathedral-like architecture of the Hammer’s Vault Gallery. Consider the calabash gourds roughly cemented onto the gallery walls, decisively rounding out and echoing the curvature of the semicircular apse. Notice the carbon char, a residue of burnt wood, offering tangible evidence of a painterly act. Observe how the softly muted, scumbled oil washes distract from and draw attention to the gashes on the canvas. These probing layers of depth and texture, while partially serendipitous, function as a commentary on disobeying the disciplines of painting and sculpture in pursuit of a syntax of diasporic movement. Bility initiates this process of renaming through fragments that fall in and out of thought, form, materiality, and tradition. How does one pick up these pieces?

The American Museum of Ceramic Art (AMOCA) is delighted to announce Fahrenheit 2024, the revival of our juried exhibition. Launched in 2018, Fahrenheit 2018 received an overwhelming response and showcased over 80 artists’ best ceramic creations juried by Patti Warashina. This year, AMOCA aims to feature the talents of artists contributing to the contemporary ceramic arts community. We are honored that Kathy King, Director of the Ceramics Program at Harvard University, is the esteemed juror for this year’s exhibition. Artists whose works are selected through the jurying process will be celebrated at the opening reception. This exhibition will provide an invaluable platform for showcasing a diverse range of work and fostering recognition within the ceramics community. Juror Kathy King is an active studio artist in the Boston area and an Instructor and Director of Education at the Ceramics Program – Office for the Arts at Harvard in Allston, MA. She has taught at Massachusetts College of Art in Boston, Rhode Island School of Design in Providence, RI, and University of Massachusetts in Dartmouth, MA, and was an Associate Professor at Georgia State University in Atlanta, Georgia, until 2007. Her undergraduate work included the School of the Museum of Fine Arts in Boston, MA, and she received her BA in Studio Art with a major in Ceramics from Connecticut College, New London, CT, in 1990. She received her MFA from the University of Florida in Gainesville, FL, in 1998. She has given workshops and lectures at over seventy-five colleges, schools, and art centers throughout the USA. The National Council on Education for the Ceramic Arts featured King as an Emerging Artist in 1999, a Demonstrating Artist in 2002, a co-juror with Mark Burns for the 2012 National Student Juried Show, and a lecturer and panelist. The Boston Foundation, Boston, MA, recently awarded her a Brother Thomas Fellowship. Her work can also be found in numerous publications and periodicals, including Ceramics: Art and Perception, Studio Potter, Clay Times, Art Papers, and Ceramics Monthly. Learn more on King’s website.

The assembly of these images represents the entirety of Cennetoglu’s visual archive amassed between June 10, 2006—in the year before her daughter was born—and March 21, 2018, when the work was first exhibited. The 2006 date also marks the initiation of the artist’s ongoing work with The List, a collaboration with the Dutch organization UNITED for Intercultural Action, which records the names of refugees, asylum seekers, and migrants who have died attempting to enter Europe since 1993. In their totality, the images record the social history of the recent past through the lens of the artist’s experience of the world.

"Jeffrey Conley: An Ode to Nature” is a retrospective showcase of Jeffrey Conley’s exceptional career up to the present. Currently residing in the Willamette Valley, Oregon, Conley’s ability to capture the essence of nature is unparalleled. Conley is also a master printer, with each photographic print a testament to his meticulous craftsmanship and exacting standards. He works in multiple processes which include traditional gelatin silver darkroom processes, platinum palladium prints and archival pigment prints on Japanese Kozo paper. The exhibition will feature a carefully curated selection of Conley’s most recognizable works, as well as some new images, never exhibited before. "Jeffrey Conley: An Ode to Nature" promises to be a must-see event for nature lovers and photography enthusiasts. The exhibition at Peter Fetterman Gallery will be on view between January 27th to April 27th, 2024 at Peter Fetterman Gallery, located in Santa Monica, CA.

Blood has both fascinated and repelled generations of artists and viewers. Medieval manuscripts testify to a rich visual culture surrounding blood: devotional, medical, genealogical, and as evidence of violence. In examining the meanings of medieval blood, this exhibition extends to intersecting contemporary conversations—artists have used the potent visual connotations of blood to explore issues of feminism, HIV/AIDs, and the science of DNA. Medieval and modern approaches to the representation of blood offer instances of both connection and rupture across time.

Steve McCurry is universally recognized as one of today's finest image-makers and has won many of photography's top awards. Best known for his evocative color photography, McCurry captures the essence of human struggle and joy. As a member of Magnum Photos since 1986, he has sought and found the unforgettable; many of his images have become modern icons, his most popular photograph of the unidentified Afghan refugee girl with the striking green eyes. Born in Philadelphia, McCurry graduated cum laude from the College of Arts and Architecture at the Pennsylvania State University. After working at a newspaper for two years, he left for India to freelance. It was in India that McCurry learned to watch and wait on life. "If you wait," he realized, "people will forget your camera and the soul will drift up into view." His career was launched when he disguised in native garb and crossed the Pakistan border into rebel-controlled Afghanistan just before the Russian invasion. When he emerged, he had rolls of film sewn into his clothes and images that would be published around the world which were among the first to show the conflict there. His coverage won the Robert Capa Gold Medal for Best Photographic Reporting from Abroad, an award dedicated to photographers exhibiting exceptional courage and enterprise. Steve McCurry has covered many areas of international and civil conflict, including Burma, Sri Lanka, Beirut, Cambodia, the Philippines, the Gulf War, the former Yugoslavia, and continuing coverage of Afghanistan and Tibet. He focuses on the human consequences of war, not only showing what war impresses on the landscape, but rather, on the human face.

Minga’s work draws attention to environmental degradation caused by textile waste, while Maria’s aims to highlight awareness of multicultural identities to empower those who step out of so-called societal norms. Both artists recycle fabrics, transforming them into unique forms of expression—their destination rerouted from the landfill to museums, galleries, or collector’s homes.

A hybrid array of material approaches reflect personal and gendered perspectives on the history of the community and its visual expressions. The works on view inform a Sikh understanding of “home,” as told through the eyes of Sikh and non-Sikh artists. Their narratives find inspiration in holy scriptures, legacies of persecution and protest, and the entwined forces of home and longing at play throughout the Sikh community’s struggle for existence.

Through the use of Persian script in painting, geometric patterning, and installation, the artists maintain a solid relationship to the Persian language as a visual and symbolic component to longing for a homeland and unity beyond borders. Throughout, political upheavals affect the diaspora and notions of identity. Despite their efforts, assimilation is never complete; all these artists remain foreigners worldwide. However, what they bring into this new state of alienation might ultimately describe a different kind of cosmopolitanism—precisely because it belongs nowhere, it is at home everywhere. The text in these works is not necessarily there to be read. It is instead there to be seen. In many ways, the audience’s inability to read these letters captures the in-between state that is the artists’ daily reality. In Persian culture’s relationship to the written language, written words are often conflated with the senses and are not purely a matter of intellect.

Welcome to the Mobile Hydrostatic Body Composition Testing Clinic, where you can experience the most accurate method of testing body composition. Our clinic provides a safe, fast, and reliable way to measure your body fat percentage. If you're curious about your current body fat percentage or starting a new fitness journey and need to establish a baseline, we invite you to attend our upcoming event. Explore below for more information on this special occasion. Essers of Los Angeles (Culver City) presents the Mobile Hydrostatic Body Composition Testing Clinic at Essers of Los Angeles, located at 3818 Willat Ave, Culver City, CA 90232. Join us on February 3, 2024, to discover the true essence of your body composition. Our expert team will guide you through a comprehensive analysis, ensuring accurate results. To be a part of this extraordinary event, secure your tickets now. Prices range from $45 to $55, offering incredible value for this cutting-edge assessment. Don't miss out on this exclusive opportunity to gain valuable insights into your body composition. For further details, visit BodyFatTestLA.com. The Essers of Los Angeles (Culver City) Mobile Hydrostatic Body Composition Testing Clinic is the ultimate destination for those seeking precise measurements and a deeper understanding of their bodies. Join us and embark on a journey towards optimal health and fitness.

Country at The Beach with Redneck Rodeo at The Lighthouse Cafe is an exhilarating physical activity that promises an unforgettable experience in Hermosa Beach, CA. Held at the renowned venue, The Lighthouse Cafe, located at 30 Pier Avenue, this event is set to take place on February 3, 2024. For a mere $10, attendees can immerse themselves in the vibrant atmosphere of country music and witness the thrilling performance of Redneck Rodeo. This is a unique opportunity to indulge in a night of foot-stomping tunes, toe-tapping melodies, and electrifying energy. The Lighthouse Cafe sets the perfect stage for this exhilarating event, with its rich history and incredible acoustics that will transport guests to another world. Whether you're a fan of country music or simply seeking an electrifying evening, Country at The Beach with Redneck Rodeo at The Lighthouse Cafe is the place to be. So mark your calendars and get ready to immerse yourself in the heart and soul of country music at this one-of-a-kind event. Don't miss out on this incredible opportunity to experience the magic of Country at The Beach with Redneck Rodeo at The Lighthouse Cafe.

Discover the fascinating world of series books at the highly anticipated event, Rare Books LA - Pasadena. Immerse yourself in an engaging in-person lecture led by renowned author, researcher, and lecturer, James Keeline. As an expert in the field, Keeline will delve into the production, publication, and promotion of series books, showcasing examples from the Stratemeyer Syndicate and Trixie Belden. These manufacturing methods were widely employed for books in the early 20th century, making this lecture a valuable insight into the history of literature. Keeline's passion for series books dates back to his childhood, and his extensive knowledge and expertise have earned him international recognition. The talk will take place during the Rare Books LA - Pasadena event, a haven for book enthusiasts and collectors from across the globe. Set in the picturesque Pasadena Convention Center on February 3-4, 2024, this book fair promises an unforgettable experience. Delve into a world of rare books, fine prints, maps, ephemera, and more. Lose yourself in the beauty of historic maps and original artwork, explore artist's books and punk zines, and uncover hidden literary treasures. The fair also offers a series of captivating bookish talks, all included in the ticket price. Tickets for Rare Books LA - Pasadena range from $15-25, offering excellent value for this unmissable event. For a truly special experience, the "Booklovers" package is available for $40, providing a pair of weekend passes, a limited edition book bag, and a red rose upon entry. Alternatively, the weekender pass at $25 includes a limited edition book bag and entry to the fair on both days. Don't miss the opportunity to immerse yourself in the enchanting world of books at Rare Books LA - Pasadena. Secure your tickets now at the provided link!

Experience the ultimate in-person event at Yoga + Beer, where you can enjoy a revitalizing yoga session followed by a refreshing beer. Join this fun-filled event at Smog City West in Torrance, CA, for a perfect blend of relaxation and enjoyment on a serene Sunday. Unwind as you stretch and breathe through a rejuvenating 1-hour yoga flow class, before indulging in one of your favorite Smog City brews. Each ticket includes a complimentary beer, allowing you to savor the delightful flavors while unwinding after your yoga practice. Don't forget to bring your own yoga mat to enhance your experience. Mark your calendars for February 4, 2024, and immerse yourself in the tranquility of Yoga + Beer at Smog City West, located on Hawthorne Boulevard in Torrance, CA. Treat yourself to this unique event and discover the perfect harmony between yoga and the deliciousness of Smog City brews.

The upcoming arts event, F The Fairy Tale! By Damona Hoffman Reading and Signing, promises to be a captivating and thought-provoking experience for all attendees. This exciting event will take place in the vibrant city of Pasadena, at the renowned venue located at 1365 North Hill Avenue. The address, 1365 North Hill Avenue, Pasadena, CA 91104, is the place to be on February 9, 2024, when Damona Hoffman will grace the stage. The best part? Admission is absolutely free! F The Fairy Tale! By Damona Hoffman Reading and Signing is an event that challenges traditional narratives and explores the depths of imagination. With her unique perspective and captivating storytelling, Damona Hoffman will transport the audience into a world of wonder and introspection. Don't miss this opportunity to witness a truly remarkable event. Mark your calendars and get ready to be inspired at F The Fairy Tale! By Damona Hoffman Reading and Signing. This is a once-in-a-lifetime experience that you won't want to miss!

The exhibition celebrates the work of an intergenerational group of thirteen leading artists in the Asian American community whose contributions to culture are multiple, ranging from their distinctive visual arts production to their commitment to pedagogy to their dedication to research, activism, and community engagement. Featured artists include Patty Chang, Young Chung, Vishal Jugdeo, Simon Leung, Michelle Lopez, Yong Soon Min, Na Mira, Amanda Ross-Ho, Miljohn Ruperto, Dean Sameshima, Anna Sew Hoy, Amy Yao, and Bruce Yonemoto.

Get prepared for an exhilarating 5K run, the 5K Cupid Shuffle Run, happening on Sunday, February 11th. Let yourself be guided by Cupid as you shuffle your way to the finish line! This in-person run will be held at the beautiful Bayshore Beach Shoreline Way in Long Beach, California. It guarantees an amazing experience for participants of all fitness levels. Whether you are a seasoned runner or just starting your fitness journey, the 5K Cupid Shuffle Run is the perfect event for you. The course takes you along a picturesque route, providing breathtaking views of the ocean. The focus of the Cupid Shuffle Run is to have a blast! Feel free to bring your friends, family, and even your furry companions to join in the fun. The event is open to all ages, ensuring everyone can participate. Spread the love on this special day, make a difference in the community, and bring about change. All proceeds from this run will support the community engagement programs and services of the You Run This Town Foundation. Mark your calendars and get ready to shuffle your way to the finish line at the 5K Cupid Shuffle Run. Prepare for an unforgettable event filled with laughter, music, and a whole lot of fun! Registration details and agenda will be provided after signup. For any inquiries, please email esther@yrttf.org.

Join the Open Studio event at Brickersville and Makersville in Long Beach. This exciting event will showcase a wide range of activities, including LEGO(r) building, sewing projects, and an exclusive Rube Goldberg project. Immerse yourself in our studio filled with LEGO bricks, sewing materials, dies, die cutters, small robots, and numerous special projects. It's a one-of-a-kind boutique experience for individuals and families alike. For more information about this event, please contact Trish Tsoiasue at 562-225-9589 or email patricia@makersvilleservices.org. Don't miss out on this opportunity to explore your interests and have a memorable time at the Open Studio in Brickersville and Makersville. Mark your calendars for February 10, 2024. Get your tickets now for only $10. Join us for a day filled with creativity and inspiration at 419 Shoreline Village Dr Suite Q, Long Beach, CA 90802.

My Bloody Valentine Burlesque is set to captivate audiences with its seductive and tantalizing performance on February 11, 2024, in the vibrant city of Pasadena. The renowned Crown Theatre will play host to this extraordinary arts event, located at 140 South Rosemead Boulevard, Pasadena, CA 91107. Get ready to witness a night full of passion, elegance, and allure as the talented performers take the stage in a celebration of art and sensuality. Immerse yourself in the enchanting world of burlesque, where every dance move, every costume, and every note resonates with seductive beauty. Don't miss the opportunity to experience this unforgettable evening, where the artists will leave you breathless with their grace and charm. With tickets priced at a mere $20, this is an amazing opportunity to indulge in an evening of sophistication and entertainment. Mark your calendars and secure your spot for My Bloody Valentine Burlesque, a captivating event that will leave an indelible mark on your heart.

Experience the excitement of the Big Game at LA Ale Works in Culver City. Join us on February 11, 2024, for an unforgettable Superb Owl event. Our venue, located at 8809 Washington Boulevard Suite 132, Culver City, CA 90232, is the perfect place to watch the game on our big screens with the sound on. Arrive early, as we open at 10:00am, and get ready to cheer for your favorite team as the game kicks off at 3:30pm. In addition to the thrilling action on the screens, we have a variety of enticing offerings to make your experience even better. Savor delicious Micheladas and indulge in mouthwatering food from our top-notch food vendors. Take part in games and stand a chance to win exciting prizes. Best of all, admission to this exciting event is completely free. Don't miss out on the opportunity to be a part of the Superb Owl at LA Ale Works in Culver City. Mark your calendars and get ready for an incredible day of sports, entertainment, and great company. We look forward to welcoming you to our event.