The phrase 'climbing the roof to remove tiles' is a metaphor for the meticulous process of selecting red bricks

The architectural and landscape design of the art museum is uniformly undertaken by Professor Dong Yugan from the Architectural Research Center of Peking University, using red bricks as the basic building element. Efforts were made to avoid cutting during construction and masonry, and to ensure the integrity of each brick as much as possible, thus forming a unique architectural language. This created a contemporary art museum that grows in the suburbs and embraces the garden. In the wetlands, the natural concept is upheld, allowing sunlight, air, and wetland ecology to converse with art, constructing an artistic wetland hidden within the international metropolis. The main building of the Red Brick Art Museum includes a ground floor, a partial second floor, and an underground video screening room. The above-ground part has 9 exhibition spaces, 2 public leisure spaces, and 1 art derivative space. The biggest difference between the Red Brick Art Museum and other art museums in terms of architectural composition is a modern garden carefully crafted with traditional Chinese garden imagery, constituting a dual extension of the visiting experience and architectural structure. As an art museum, it hosts multiple high-quality art exhibitions every year, with exquisite art peripherals. Here, exhibitions serve as a medium for deep, multi-dimensional exploration and contemplation of art, becoming the spiritual home for many art enthusiasts.