Featured Events in New York in June 2025 (May Updated)

Can a photographic portrait inspire political imagination? Ideas of Africa: Portraiture and Political Imagination examines how photographers and their sitters contributed to the proliferation of Pan-African solidarity during the mid-20th century. Embracing the international spirit of the time, the exhibition gathers striking pictures by photographers working in Central and West African cities. They created images of everyday citizens, dazzling music scenes, and potent manifestations of youth culture that reflected emerging political realities. Photographs by Jean Depara, Seydou Keïta, Malick Sidibé, and Sanlé Sory portray residents across Bamako, Bobo-Dioulasso, and Kinshasa at a time when the winds of decolonial change swept the African continent in tandem with the burgeoning US Civil Rights movement. The exhibition also spotlights James Barnor and Kwame Brathwaite—photographers living in Europe and North America who contributed to the construction of Africa as a political idea. Contemporary works by artists such as Samuel Fosso, Silvia Rosi, and Njideka Akunyili Crosby show the enduring relevance of these themes. Brimming with possibility, Ideas of Africa: Portraiture and Political Imagination embraces the creative potential of the photographic portrait and its political resonance across the globe.

The critically acclaimed bestselling novel Water for Elephants comes to vivid life on Broadway in a unique, spectacle-filled new musical. After losing what matters most, a young man jumps a moving train unsure of where the road will take him and finds a new home with the remarkable crew of a traveling circus, and a life—and love—beyond his wildest dreams. Seen through the eyes of his older self, his adventure becomes a poignant reminder that if you choose the ride, life can begin again at any age. Directed by Tony Award® nominee Jessica Stone (Kimberly Akimbo), with a book by three-time Tony nominee Rick Elice (Jersey Boys, Peter and the Starcatcher) adapted from Sara Gruen’s novel, and a soaring score by the acclaimed PigPen Theatre Co., Water for Elephants unites innovative stagecraft with the very best of Broadway talent in an authentic and deeply moving new musical that invites us all to give ourselves to the unknown.

Ganesha, the son of Shiva and Parvati, is a Brahmanical (Hindu) diety known to clear a path to the gods and remove obstacles in everyday life. He is loved by his devotees (bhakti) for his many traits, including his insatiable appetite for sweet cakes and his role as a dispenser of magic, surprise, and laughter. However, Ganesha is also the lord of ganas (nature deities) and can take on a fearsome aspect in this Guise. The seventh- to twenty-first-century works in this exhibition trace his depiction across the Indian subcontinent, the Himalayas, and Southeast Asia. Featuring 24 works across sculptures, paintings, musical instruments, ritual implements, and photography, the exhibition emphasizes the vitality and exuberance of Ganesha as the bringer of new beginnings.

Redwood is a transportive new musical about one woman’s journey into the precious and precarious world of the redwood forest. Jesse is a successful businesswoman, mother and wife who seems to have it all, but inside, her heart is broken. Finding herself at a turning point, Jesse leaves everyone and everything behind, gets in her car and drives... Thousands of miles later, she hits the majestic forests of Northern California, where a chance meeting and a leap of faith change her life forever. With its deeply personal story, refreshingly contemporary sound, and awe-inspiring design, Redwood explores the lengths –and heights– one travels to find strength, resilience and healing.

More than a hundred remarkable objects from the Heber Bishop collection, including carvings of jade, the most esteemed stone in China, and many other hardstones, are on view in this focused presentation. The refined works represent the sophisticated art of Chinese gemstone carvers during the Qing dynasty (1644–1911) as well as the highly accomplished skills of Mogul Indian (1526–1857) craftsmen, which provided an exotic inspiration to their Chinese counterparts. Also on view are a set of Chinese stone-working tools and illustrations of jade workshops, which will introduce the traditional method of working jade.

Enamel decoration is a significant element of Chinese decorative arts that has long been overlooked. This exhibition reveals the aesthetic, technical, and cultural achievement of Chinese enamel wares by demonstrating the transformative role of enamel during the Ming (1368–1644) and Qing (1644–1911) dynasties. The first transformational moment occurred in the late 14th to 15th century, when the introduction of cloisonné enamel from the West, along with the development of porcelain with overglaze enamels, led to a shift away from a monochromatic palette to colorful works. The second transformation occurred in the late 17th to 18th century, when European enameling materials and techniques were brought to the Qing court and more subtle and varied color tones were developed on enamels applied over porcelain, metal, glass, and other mediums. In both moments, Chinese artists did not simply adopt or copy foreign techniques; they actively created new colors and styles that reflected their own taste. The more than 100 objects on view are drawn mainly from The Met collection.

The Jefferson R. Burdick collection of ephemera at The Met contains one of the most distinguished collections of historical baseball cards anywhere in the world. In 1947, Burdick (1900–1963), an electrician from Syracuse, New York, and avid collector of ephemera, began to donate in large batches his holdings of more than 300,000 trade cards, postcards, and posters to the Museum. Included in the donation were more than 30,000 baseball cards dating back to the 1880s. This exhibition features over one hundred dating cards from 1895 to 1956. Produced using a variety of printing techniques and in a range of styles, the cards feature legends of the game from a bygone era.

In 1969, The Who created a rock opera that changed the course of music history. Some 25 years later,The Who’s TOMMYarrived on Broadway, winning 5 Tony Awards® and pushing the boundaries of what musical theatre can be. This March, the Amazing Journey arrives in a dazzling new production direct from a sold-out, record-breaking, award-winning Chicago premiere. “Broadway has nothing else like this wizardry going on, not this season and nothing I know of for next season. Visually and sonically overwhelming, it’s a prescient masterpiece of a rock opera.”Chris Jones,Chicago Tribune

This timely exhibition looks back at the year the captivating Eurasian eagle-owl took to Manhattan’s skies, learned to hunt, and peered into apartment windows.

He is one of the greatest entertainers of all time. Now, Michael Jackson’s unique and unparalleled artistry has finally arrived on Broadway in a brand-new musical. Centered around the making of his 1992 Dangerous World Tour, and created by Tony Award®- winning Director / Choreographer Christopher Wheeldon and two-time Pulitzer Prize winner Lynn Nottage, MJ goes beyond the singular moves and signature sound of the star, offering a rare look at the creative mind and collaborative spirit that catapulted Jackson into legendary status. Turn it up, Broadway — MJ is here! • MASKS OPTIONAL - All guests are strongly encouraged to wear a mask in the theatre to protect themselves and others, but it is no longer required.

The exhibition is co-hosted by the Shanghai Museum and the Metropolitan Museum of Art in New York, USA. It brings together more than 200 collections from important domestic and foreign institutions such as the Metropolitan Museum of Art in New York, the British Museum in the UK, the Cernuschi Museum in France, the Palace Museum, the Shanghai Museum, and the Liaoning Provincial Museum. This exhibition is a friendly exchange project between the two museums. After the closing of the Metropolitan Museum of Art in September 2025, the exhibition will move to the East Hall of the Shanghai Museum.

Brazilian contemporary artist Beatriz Milhazes creates mural-like, abstract paintings through an innovative technique she calls “monotransfer.” She begins this process by painting her forms onto clear plastic sheets. Once dry, she layers and adheres the painted films onto the canvas, and then peels off the plastic sheets, revealing the forms in reverse. The resulting vibrant and dynamic compositions balance abstract forms, organic patterns, and geometric structures on densely textured and intricate surfaces.

Thousands of artists—including Norman Rockwell, Mark Rothko, Georgia O’Keeffe, and Jacob Lawrence—have studied and taught at the Art Students League, a New York institution founded in 1875 by a group of young artists who believed that an arts education should be accessible to anyone seeking it and who envisioned an artist-run school free from dictates of process or style. To mark the 150th anniversary of the League, The New York Historical showcases works by League affiliates with featured paintings drawn from The Historical’s promised gift of 130 scenes of New York City from art collectors and philanthropists Elie and Sarah Hirschfeld. The installation is part of a larger city-wide, cross-institutional, year-long celebration programmed by the Art Students League. Curated by Wendy Nālani E. Ikemoto, vice president & chief curator, in collaboration with Ksenia Nouril, gallery director and curator, and Esther Moerdler, curatorial assistant, at the Art Students League.

SMASH, inspired by the hit TV show, is finally on Broadway! A hilarious behind-the-scenes rollercoaster ride about the making of a Marilyn Monroe musical called Bombshell, it’s got all the iconic songs, kick-ass choreography, and backstage pandemonium that make Broadway the beloved institution it is today. Our cast is stacked, because who better to play a bunch of wannabe Broadway big shots than actual Broadway big shots? Among them: Robyn Hurder, Brooks Ashmanskas, Krysta Rodriguez, Bella Coppola, Jacqueline Arnold, Caroline Bowman, John Behlmann, Kristine Nielsen and Casey Garvin to name just a few.

Lorenzo Homar was a pioneering printmaker, poster designer, calligrapher, painter, illustrator, caricaturist, and costume and theatrical set designer. Active from the 1950s through the 1990s, few equal his impact and influence as a teacher of poster design and printmaking in Latin America. This exhibition focuses on his poster output over a thirty year period during which time his work reflected the complex history of Puerto Rico, encompassing elements of Taíno, Spanish, and African cultures as well as the rising tensions between tradition and modernity under the Luis Muñoz Marín government. His influence is so extensive that today he is known as the father of the Puerto Rican poster. Alejandro Anreus is Emeritus Professor of Art History and Latin American Studies, William Paterson University. A former curator at the Jersey City Museum and Montclair Art Museum, he is the author of over sixty articles and catalogue essays, and six books on Latin American and Latinx Art.

One of the most prominent features of art from the late eighteenth century onwards, particularly after World War II, is artists’ tendency to evolve traditional artmaking methods outside the studio’s boundaries. This exhibition examines the ways in which contemporary artists enacted new ideas formed by the social and historical contexts of their time and pushed the boundaries of artmaking and materials as a result. By Way Of offers a suite of works from the museum’s permanent collection inspired by the D.Daskalopoulos Collection Gift. Major artists from the Arte Povera movement of the 1960s and 1970s, like Jannis Kounellis and Mario Merz share the galleries with artists working today, such as Rashid Johnson, Mona Hatoum, and Senga Nengudi.

The Museum of Modern Art announces Jack Whitten: The Messenger, the first comprehensive retrospective dedicated to the groundbreaking art of Jack Whitten (American, 1939–2018), on view from March 23 through August 2, 2025, in the Steven and Alexandra Cohen Center for Special Exhibitions. Presented solely at MoMA, the exhibition will explore the full range of Whitten’s innovative art over his nearly six-decade career, showing more than 175 works from the 1960s to the 2010s, including paintings, sculptures, rarely shown works on paper, and archival materials. Together, these works will reveal how Whitten overturned the tenets of modern art-making to become one of the most important artists of our time. Beginning his career during the Civil Rights movement of the 1960s, Whitten was under great pressure to create directly representational art as a form of activism, yet he dared to invent new forms of abstraction and, in the process, transformed the relationship between art, memory, and society.

Celebrate one of Broadway’s true icons with this legendary theatrical event! Stephen Sondheim’s Old Friends is an irresistible celebration of the master himself, with a company headlined by none other than Tony Award® winners Bernadette Peters and Lea Salonga. Stephen Sondheim’s Old Friends comes to Broadway from London’s West End, where it earned a bevy of 5-star raves and was hailed by The Times as “unmissable musical theatre.”

Monstrous Beauty: A Feminist Revision of Chinoiserie radically reimagines the story of European porcelain through a feminist lens. When porcelain arrived in early modern Europe from China, it led to the rise of chinoiserie, a decorative style that encompassed Europe’s fantasies of the East and fixations on the exotic, along with new ideas about women, sexuality, and race. This exhibition explores how this fragile material shaped both European women’s identities and racial and cultural stereotypes around Asian women. Shattering the illusion of chinoiserie as a neutral, harmless fantasy, Monstrous Beauty adopts a critical glance at the historical style and its afterlives, recasting negative terms through a lens of female empowerment. Bringing together nearly 200 historical and contemporary works spanning from 16th-century Europe to contemporary installations by Asian and Asian American women artists, Monstrous Beauty illuminates chinoiserie through a conceptual framework that brings the past into active dialog with the present. In demand during the 1700s as the embodiment of Europe’s fantasy of the East, porcelain accumulated strong associations with female taste over its complex history. Fragile, delicate, and sharp when broken, it became a resonant metaphor for women, who became the protagonists of new narratives around cultural exchange, consumption, and desire.

In her first solo museum exhibition, Whitney Claflin (American, b.1983) features a focused selection of works tracing her distinctive approach to painting and ongoing engagement with notions of infatuation, misrecognition, and waywardness. The exhibition includes over twenty new and recent paintings, which careen between subjects and styles ranging from lyrical abstractions and breezy sketches to snippets of text, renditions of logos, and scraps of mass-produced textiles. Following the associative logic of a mixtape or poem, they express transient states of intensity. References and subcultural symbols—such as nods to 1970s flower-power paraphernalia, Teenage Mutant Ninja Turtles, beloved New York bars, and the late-90s DIY scene of her teens in Providence, Rhode Island—suffuse her work with varying degrees of legibility. In addition to paintings, the exhibition also includes drawing, photography, video, and sculptural interventions, highlighting Claflin’s multifaceted approach.

Ramin Karimloo, Jinkx Monsoon, and David Hyde Pierce lead the crew in Pirates! The Penzance Musical, this must-see Roundabout reimagining of The Pirates of Penzance. Scott Ellis (Doubt; Kiss Me, Kate) directs and Warren Carlyle (Harmony; Kiss Me, Kate) choreographs with a hilarious new adaptation by Rupert Holmes (The Mystery of Edwin Drood), musical direction by Joseph Joubert (Caroline, or Change), and orchestrations by Joubert and Daryl Waters (Memphis). Gilbert & Sullivan’s pirate ship docks in New Orleans in this jazzy-bluesy vision of the crowd-pleasing classic, in an outrageously clever romp sizzling with Caribbean rhythms and French Quarter flair. With the tongue-twisting Major-General, the rabble-rousing Pirate King, newly-imagined young lovers, daring daughters, footloose pirates and fleet-footed police, there's a shipload of musical comedy delights on board to dazzle first-timers and G&S aficionados alike.

The exhibition is drawn from the Museum’s collection, as well as through key loans from organizations including: Institute of Jazz Studies, Louis Armstrong House Museum & Archives, the Metropolitan Museum of Art, New York Public Library, Celia Cruz Foundation, Center for Puerto Rican Studies (Centro), Royal House of LaBeija, Smithsonian National Museum of African American History and Culture, Remix⟷Culture, CUNY Center for Dominican Studies, Apollo Theater, Karla Flórez School of Dance, Think!Chinatown, Schomburg Center for Research in Black Culture, Thunderbird American Indian Dancers, Brooklyn Contra, and private lenders such as Rubén Blades, DJ Rekha, Judy Santos, Hellotones, and many more.

For the 2025 Roof Garden Commission, Jennie C. Jones (born 1968, Cincinnati, Ohio) will produce Ensemble. Only her second outdoor sculptural installation, the project will explore the sonic potential of stringed instruments as well as their formal possibilities. In the artist's unique response to modernism, these acoustic sculptures propose the line of the string as a proxy for art history, unbroken and continuous. In her paintings, sculptures, works on paper, installations, and audio compositions, Jones uses sound to respond to the legacy of minimalism and to modernism itself. Drawing on her immersion in Black improvisation and avant-garde music, she deploys sound and listening as important conceptual elements of her practice, from the acoustic fiberglass panels she affixes to canvas, which absorb sound and affect the acoustic properties of the environment, to the lines and bars she creates through her compositions that refer to elements of musical notation. Her work across media offers new possibilities for minimalist abstraction, challenging how—and by whom—it is produced.

This spring, the Guggenheim Museum’s iconic rotunda will fill Rashid Johnson’s Anxious Men, spray-painted text works, large-scale sculptures, films, and more in a highly anticipated mid-career exhibition. Rashid Johnson: Poems for a Deep Thinker will bring together nearly 90 works that showcase the Chicago-born, New York-based artist’s wide-ranging practice, exploring themes ranging from history and literature to black pop culture and music.

Mike King is America’s most prolific gig poster artist. What began as a means of promoting his own bands’ shows in the late 1970s gradually morphed into a full-time specialty in the art of the eye-catching concert poster. Today, there are few major venues or bands that have not worked with him—his imagery has saturated into the tapestry of American music culture, appearing on album covers, t-shirts, and, most importantly, posters. The posters in this exhibition are a mere slice of a much larger visual pie—a taste of some of Mike’s rarest posters from a thirty-year spread within his ongoing career. They highlight shifts in both the available technology for making posters, from fully analog to digital, as well as how the function of gig posters has evolved from advertisements to collectible merchandise. Rather than being presented strictly chronologically, each section focuses on Mike’s process for creating the paste-up or digital file necessary to produce each type of poster.

Sargent is one of the greatest painters of the early 20th century, on par with Whistler. This exhibition, co-hosted by the Metropolitan Museum of Art and the Musee d'Orsay, brings together more than 90 works by Sargent, focusing on his time in France. In 1874, the 18-year-old Sargent arrived in Paris as a student. In the mid-1880s, his portrait "Madame X" was a great success at the Paris Salon. This was the peak of Sargent's creation in Paris and also the highlight of the exhibition.

For his inaugural exhibition with Hauser & Wirth in New York, William Kentridge presents his acclaimed nine-episode film series ‘Self-Portrait as a Coffee Pot’ and more than forty-five drawings integral to its creation alongside a group of sculptural works. This immersive installation will occupy two floors of the gallery’s 22nd Street building and is the first time the drawings from the film series will be on view to the public. Transforming the first floor into a space evocative of the artist’s own working environment and highlighting the integral relationship between drawing and sculpture throughout the second floor, ‘A Natural History of the Studio’ invites visitors to step into Kentridge’s creative process and explore the complex ways in which his work reveals truths about the ways we think, live and relate to one another.

Lisson presents Leiko Ikemura’s first exhibition with the gallery, featuring many of the themes present in her work over the past 30 years, including a wide range of media from paintings in tempera to bronze figures and glass forms.

For Dyson’s first major installation with sound in New York City, the artist experiments with “breath as geography.” Inside a large sculptural pavilion, Dyson introduces a multichannel soundscape comprising the artist’s recordings of a range of spoken sounds. In what Dyson envisions as a kind of spatial drawing of field recordings, she explores the idea that the sound in between the words we speak can carry memories of places and spaces. As audiences move through the installation, the sonic textures and compositions change. Surrounded by grand waterways and architectural landmarks, the work encourages audiences to reflect upon the ways that our experience is grounded in the landscape beneath and encircling us.

Explore Woman on a Bridge #1 of 5: Tar Beach (1988), one of the most important works by Faith Ringgold, a renowned artist, writer, and activist. This monumental quilt, the first in a series of five, tells the story of a young girl who dreams of flying from her Harlem rooftop to celebrate her own freedom and self-possession. This exhibition dives into Ringgold’s artistic influences and the lasting impact she has had on later generations of artists. Alongside Tar Beach, visitors will see works from the Guggenheim New York collection by European modernists such as Marc Chagall and Pablo Picasso, who inspired Ringgold, and contemporary American artists such as Tschabalala Self and Sanford Biggers, whose work reflects her legacy.